Detail View: University Art Galleries (UMassD): Sator Arepo
|
exhibition_title:
|
Clay, Fiber, Metal
|
|
exhibition_dates:
|
November 4 - November 21 1979
|
|
exhibition_year:
|
1979
|
|
exhibition_genre:
|
artisanry ( craft )
|
|
resourceID:
|
14002_013_0025
|
|
resourceID:
|
14002_013_0026
|
|
resourceID:
|
14002_013_0027
|
|
resourceID:
|
14002_013_0028
|
|
resource_type:
|
slides
|
|
copyright notice:
|
COPYRIGHT NOTIFICATION: Under the direction of the Visual Resource Center digital collections are made available to the UMass Dartmouth campus community for the sole purpose of classroom instruction and study in accordance U.S. Copyright Laws . All other uses are prohibited and are subject to copyright infringements.
|
|
credit line:
|
Claire T. Carney Library - Archives and Special Collections
|
|
artist name:
|
Neda Al Hilali
|
|
artist_nationality:
|
Czechoslovakia
|
|
artist_vital dates:
|
1938
|
|
artist_biographical note:
|
Al Hilali was born in Czechoslovakia and has lived in Baghdad.She moved to southern California in 1961. She trained as an artist in Europe, and extensively at the University of California Los Angeles. Her early works in the 1960s consisted of flat weavings and knotted hangings. These were followed by large, room-filling installations and a series of giant brown-paper "Tongues" installed on Venice beach. Al Hilali has described her work as "foot tracks of prolonged attention and energy," as each requires many hours of intensive handiwork. Her work is in the collections of various museums, including the Renwick Gallery,[4] Museum of Art and Design,[5] and Utah Museum of Fine Arts. Her papers are at the Archives of American Art.
|
|
work_title:
|
Sator Arepo
|
|
work_medium:
|
Mixed media and paper
|
|
work_technique:
|
fiber arts - paper
|
|
work_date:
|
ca.1979
|
|
work_reference:
|
Clay Fiber Metal (National Invitational Exhibition) Catalog
|
|
date_of_ record:
|
2015/03/24
|
|
name_cataloger:
|
ajc
|