COLLECTION NAME:
CVPA Student Collection
mediaCollectionId
UMASSDVRCVRC~34~34
CVPA Student Collection
Collection
true
resource_ID:
2014skelly_005
resource_id
2014skelly_005
resource_ID
false
artist_name:
Kelly , Sam
student_last_name
Kelly , Sam
artist_name
false
artist_variant_name:
Sam Kelly
student_first_name
Sam Kelly
artist_variant_name
false
artist_nationality:
The American of America
student_nationality
The American of America
artist_nationality
false
artist_vital_dates:
1987
student_vital_dates
1987
artist_vital_dates
false
UMassD_CVPA_degree:
MFA - Fine Arts
umassd_cvpa_degree
MFA - Fine Arts
UMassD_CVPA_degree
false
graduation_year:
2014
mfa_graduation_year
2014
graduation_year
false
area_of_study:
Paintings
area_of_study
Paintings
area_of_study
false
additional_acad_degrees :
Wright State University
academic_degree
Wright State University
additional_acad_degrees
false
medium:
oil on wood
medium
oil on wood
medium
false
work_title:
Untitled #7
work_title
Untitled #7
work_title
false
technique:
painting
technique
painting
technique
false
work_date:
2013
work_date
2013
work_date
false
dimensions:
10 x 8 x 1.5
dimensions
10 x 8 x 1.5
dimensions
false
description:
Combining my interest in abstraction, improvisation and form, along with a commitment to drawing and to the study of the human figure, my intent in this group of paintings and drawings is to explore robust forms through a physical and tactile use of aggressively applied paint and charcoal. Both mediums inform and feed off of each other and confront vigorous processes of editing and re-editing. The untitled forms in my paintings renounce identification and remain free and open to interpretation. However, the subject originates from my interest in drawing from direct-observation. Through each medium, I seek to capture and emphasize the gesture and rhythms of organic forms.
description
Combining my interest in abstraction, improvisation and form, along with a commitment to drawing and to the study of the human figure, my intent in this group of paintings and drawings is to explore robust forms through a physical and tactile use of aggressively applied paint and charcoal. Both mediums inform and feed off of each other and confront vigorous processes of editing and re-editing. The untitled forms in my paintings renounce identification and remain free and open to interpretation. However, the subject originates from my interest in drawing from direct-observation. Through each medium, I seek to capture and emphasize the gesture and rhythms of organic forms.
description
false