7798_010_#No.10Intimation of Remembrance, back.jpg
resource_id
7798_010_#No.10Intimation of Remembrance, back.jpg
resource_ID
false
resource_ID:
7798_011_#No.11Intimation of Remembrance, front.jpg
resource_id
7798_011_#No.11Intimation of Remembrance, front.jpg
resource_ID
false
resource_ID:
7798_012_#No.12Intimation of Remembrance, side.jpg
resource_id
7798_012_#No.12Intimation of Remembrance, side.jpg
resource_ID
false
artist_name:
Kralickova, Petra
student_last_name
Kralickova, Petra
artist_name
false
artist_variant_name:
Petra Kralickova
student_first_name
Petra Kralickova
artist_variant_name
false
artist_nationality:
Czechoslovakian- American
student_nationality
Czechoslovakian- American
artist_nationality
false
UMassD_CVPA_degree:
MFA - Artisanry
umassd_cvpa_degree
MFA - Artisanry
UMassD_CVPA_degree
false
graduation_year:
2004
mfa_graduation_year
2004
graduation_year
false
area_of_study:
Ceramics
area_of_study
Ceramics
area_of_study
false
additional_acad_degrees :
BFA, Ceramics, Ohio University School of Art at Athens, 2001
academic_degree
BFA, Ceramics, Ohio University School of Art at Athens, 2001
additional_acad_degrees
false
medium:
clay
medium
clay
medium
false
medium:
acrylic
medium
acrylic
medium
false
medium:
Encaustic
medium
Encaustic
medium
false
work_title:
Intimation of Remembrance
work_title
Intimation of Remembrance
work_title
false
technique:
Ceramic process
technique
Ceramic process
technique
false
work_date:
2004
work_date
2004
work_date
false
dimensions:
12 x 22 x 12 inches
dimensions
12 x 22 x 12 inches
dimensions
false
description:
The artist uses multiple processes, glazes, and slips to create her work. She states she uses low fire sculptural white earthenware due to its consistency, strength, and reliability. She then often finishes the pieces with acrylic paint and encaustic, using beeswax (pure or mixed), oil paints, and ceramic stains mixed with hot wax. She applies the wax with heat gun and spreads it with cotten rag or high quality paper towels. The work discusses the "effects of psychological oppression on the human body." Her figures derive from the human body, yet remain firmly in abstraction. Her work is strongly informed by her memories of growing up in Czechoslovakia during the Communist regime and its resulting oppression. She depicts the physical effects of that type of mental stress through an abstraction of the human body.
description
The artist uses multiple processes, glazes, and slips to create her work. She states she uses low fire sculptural white earthenware due to its consistency, strength, and reliability. She then often finishes the pieces with acrylic paint and encaustic, using beeswax (pure or mixed), oil paints, and ceramic stains mixed with hot wax. She applies the wax with heat gun and spreads it with cotten rag or high quality paper towels. The work discusses the "effects of psychological oppression on the human body." Her figures derive from the human body, yet remain firmly in abstraction. Her work is strongly informed by her memories of growing up in Czechoslovakia during the Communist regime and its resulting oppression. She depicts the physical effects of that type of mental stress through an abstraction of the human body.
LUNA Collections are for the sole purpose of instruction and study by faculty and students attending University of Massachusetts Dartmouth, Dartmouth Massachusetts. All other purposes are prohibited and require permission from the artist.
copyright
LUNA Collections are for the sole purpose of instruction and study by faculty and students attending University of Massachusetts Dartmouth, Dartmouth Massachusetts. All other purposes are prohibited and require permission from the artist.