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CVPA Student Collection
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resource_ID:
20csmith_002
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20csmith_003
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20csmith_003
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resource_ID:
20csmith_004
resource_id
20csmith_004
resource_ID
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resource_ID:
20csmith_014
resource_id
20csmith_014
resource_ID
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artist_name:
Smith, Christopher
student_last_name
Smith, Christopher
artist_name
false
artist_variant_name:
Christopher T. Smith
student_first_name
Christopher T. Smith
artist_variant_name
false
artist_nationality:
United States
student_nationality
United States
artist_nationality
false
artist_vital_dates:
1982
student_vital_dates
1982
artist_vital_dates
false
UMassD_CVPA_degree:
MFA - Artisanry
umassd_cvpa_degree
MFA - Artisanry
UMassD_CVPA_degree
false
graduation_year:
2020
mfa_graduation_year
2020
graduation_year
false
area_of_study:
Ceramics
area_of_study
Ceramics
area_of_study
false
additional_acad_degrees :
Maharishi University of Management
academic_degree
Maharishi University of Management
additional_acad_degrees
false
medium:
Ceramic
medium
Ceramic
medium
false
work_title:
Striving
work_title
Striving
work_title
false
technique:
sculpture
technique
sculpture
technique
false
work_date:
2020
work_date
2020
work_date
false
dimensions:
84x24x24
dimensions
84x24x24
dimensions
false
description:
This work makes visual reference to aged architectural structures such as grain mills, temples and office buildings. It also alludes to natural structures such as canyons, buttes, the desert, and the physiology of the human body. All these structures communicate a sense of honesty, memory, and time. Both geological features and the human body communicate through their appearance the truth of their lives. The monumental forms I use have an existential presence which can give a feeling of importance and permanence. But they also show the passage of time and that they are in a process of change, and therefore non-permanent. The work is discussed in relationship to Antony Gormley, Stephen De Stabler, and Torbj�rn Kvasb�. A conceptual connection is made with both Eastern and Western Philosophy; mainly in relation to existentialism and the Vedic Science, the yogic teaching passed down from Shankara. Daniele Rhodes is sourced for material science. The concept of deterioration and regeneration, whether in the structure of a building, a doctrine, a cultural identity, a language or a mountain range is a central tenet of the work. Acknowledging that everything is in a state of decay but also in a state of becoming. Within the work there is a structure that can be seen folding in on itself and deteriorating as it continuously shifts into something new. Similarly, this applies to a folding sense of the self, the multivariate nature of being witness to one�s own experience, on an innate level of consciousness. Within this conceptual observation, many different ideas, paradoxes, and questions emerge for investigation.
description
This work makes visual reference to aged architectural structures such as grain mills, temples and office buildings. It also alludes to natural structures such as canyons, buttes, the desert, and the physiology of the human body. All these structures communicate a sense of honesty, memory, and time. Both geological features and the human body communicate through their appearance the truth of their lives. The monumental forms I use have an existential presence which can give a feeling of importance and permanence. But they also show the passage of time and that they are in a process of change, and therefore non-permanent. The work is discussed in relationship to Antony Gormley, Stephen De Stabler, and Torbj�rn Kvasb�. A conceptual connection is made with both Eastern and Western Philosophy; mainly in relation to existentialism and the Vedic Science, the yogic teaching passed down from Shankara. Daniele Rhodes is sourced for material science. The concept of deterioration and regeneration, whether in the structure of a building, a doctrine, a cultural identity, a language or a mountain range is a central tenet of the work. Acknowledging that everything is in a state of decay but also in a state of becoming. Within the work there is a structure that can be seen folding in on itself and deteriorating as it continuously shifts into something new. Similarly, this applies to a folding sense of the self, the multivariate nature of being witness to one�s own experience, on an innate level of consciousness. Within this conceptual observation, many different ideas, paradoxes, and questions emerge for investigation.
description
false
artist_URL:
www.CTSmithArtStudio.com
artist_url
www.CTSmithArtStudio.com
artist_URL
false
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