COLLECTION NAME:
University Art Galleries (UMassD)
mediaCollectionId
UMASSDVRCVRC~43~43
University Art Galleries (UMassD)
Collection
true
exhibition_title:
The Intimate Apparel Exhibition (Merkin Exhibition): Reviving an Undercover Cover-Up
exhibition_title
The Intimate Apparel Exhibition (Merkin Exhibition): Reviving an Undercover Cover-Up
exhibition_title
false
exhibition_dates:
January 30 - March 14, 2010
exhibition_dates
January 30 - March 14, 2010
exhibition_dates
false
exhibition_year:
2010
exhibition_year
2010
exhibition_year
false
exhibition_location:
University Art Gallery (UMass Dartmouth Galleries)
exhibition_location
University Art Gallery (UMass Dartmouth Galleries)
exhibition_location
false
exhibition_curator:
Linda Gass
exhibition_curator
Linda Gass
exhibition_curator
false
exhibition_note:
The exhibit originally debuted at the Pi Gallery in conjunction with the 14th International Surface Design Conference at the Kansas City Art Institute in Kansas City, Missouri. "Intimate Apparel" is an unusual and provocative exhibit of artists' merkins. It debuted in June 2007 at the Pi Gallery in Kansas City, Missouri and is now traveling to the Textile Center in Minneapolis, MN (September 18 - October 24, 2009) and the University Art Gallery at University of Massachusetts Dartmouth (January 30 - March 14, 2010). Curator Linda Gass invited artists from around the world to participate and the resulting collection of works is wildly diverse and inspired. "What is a merkin?" you might ask. Few speakers of the English language know the meaning of the word. Dictionaries vary on the definition however most agree that it's a pubic wig. The authoritative Oxford English Dictionary defines it as "an artificial covering of hair for the female pubic region; a pubic wig for women." The origin of the merkin goes back many centuries to a time when pubic lice were a common problem and women had to shave their pubic area to eradicate the lice and relieve the itching. Someone then invented merkins to replace the shaved hair. Prostitutes were frequent wearers of merkins as well, using them to cover up the marks of syphilis and genital warts so they could appear to be disease-free and therefore still employable. As hygiene improved and drugs were developed, the need for merkins disappeared. When asked why she wanted to create this exhibit, curator Linda Gass replied "I thought it would be fun and fascinating to use this obscure historical object as a format for making art. It seemed like there were so many possibilities for expression and I wanted to see what this group of talented artists could do. The works they have created have exceeded my expectations." The invited artists are innovators in their respective fields some are inventors of key surface design techniques and others have significantly expanded on traditional techniques. A common characteristic in all of the artists is their willingness to take risks. They have created a collection of visually exciting pieces utilizing weaving, embroidery, crochet, quilting, fusing, felting, silkscreening, monoprinting, marbling, beading, bookmaking, basketry, painting, casting, burning, and mixed media assemblage. The artists explore a wide range of issues in the artwork for this exhibition. Although the original function of the merkin was to replace something "lost" in an area of the body we often consider very private and vulnerable, the artists have gone far beyond these beginnings. The artworks address sexuality, fertility, shame, self-esteem, danger, power struggles and domination, flirtation and seduction, voyeurism, pleasure, and the stages of our lives. Many of the artists use humor in their work - some directly through use of illustrative graphics, others more subtly through their choice of materials or title. The artists' merkins are made from diverse and sometime surprising materials. In addition to fabrics such as velvet, silk, cotton and lace, the artists have used beads, sequins, human hair, X-acto blades, silicone fishing bait, bobby pins, pine cone scales, chrysanthemum stamens, lichen collected from the Black Forest in Germany, seaweed, glass eyes, fish skin, vintage keys, match sticks, mirrors, aluminum, copper wire, rusted metal washers, and plastic and glass fruit. One of the merkins will literally come to life during the exhibit: it is made of moss and seeds and visitors to the gallery will be able to interact with the merkin by misting it with water to help it grow. http://www.lindagas…
exhibition_note_
The exhibit originally debuted at the Pi Gallery in conjunction with the 14th International Surface Design Conference at the Kansas City Art Institute in Kansas City, Missouri. "Intimate Apparel" is an unusual and provocative exhibit of artists' merkins. It debuted in June 2007 at the Pi Gallery in Kansas City, Missouri and is now traveling to the Textile Center in Minneapolis, MN (September 18 - October 24, 2009) and the University Art Gallery at University of Massachusetts Dartmouth (January 30 - March 14, 2010). Curator Linda Gass invited artists from around the world to participate and the resulting collection of works is wildly diverse and inspired. "What is a merkin?" you might ask. Few speakers of the English language know the meaning of the word. Dictionaries vary on the definition however most agree that it's a pubic wig. The authoritative Oxford English Dictionary defines it as "an artificial covering of hair for the female pubic region; a pubic wig for women." The origin of the merkin goes back many centuries to a time when pubic lice were a common problem and women had to shave their pubic area to eradicate the lice and relieve the itching. Someone then invented merkins to replace the shaved hair. Prostitutes were frequent wearers of merkins as well, using them to cover up the marks of syphilis and genital warts so they could appear to be disease-free and therefore still employable. As hygiene improved and drugs were developed, the need for merkins disappeared. When asked why she wanted to create this exhibit, curator Linda Gass replied "I thought it would be fun and fascinating to use this obscure historical object as a format for making art. It seemed like there were so many possibilities for expression and I wanted to see what this group of talented artists could do. The works they have created have exceeded my expectations." The invited artists are innovators in their respective fields some are inventors of key surface design techniques and others have significantly expanded on traditional techniques. A common characteristic in all of the artists is their willingness to take risks. They have created a collection of visually exciting pieces utilizing weaving, embroidery, crochet, quilting, fusing, felting, silkscreening, monoprinting, marbling, beading, bookmaking, basketry, painting, casting, burning, and mixed media assemblage. The artists explore a wide range of issues in the artwork for this exhibition. Although the original function of the merkin was to replace something "lost" in an area of the body we often consider very private and vulnerable, the artists have gone far beyond these beginnings. The artworks address sexuality, fertility, shame, self-esteem, danger, power struggles and domination, flirtation and seduction, voyeurism, pleasure, and the stages of our lives. Many of the artists use humor in their work - some directly through use of illustrative graphics, others more subtly through their choice of materials or title. The artists' merkins are made from diverse and sometime surprising materials. In addition to fabrics such as velvet, silk, cotton and lace, the artists have used beads, sequins, human hair, X-acto blades, silicone fishing bait, bobby pins, pine cone scales, chrysanthemum stamens, lichen collected from the Black Forest in Germany, seaweed, glass eyes, fish skin, vintage keys, match sticks, mirrors, aluminum, copper wire, rusted metal washers, and plastic and glass fruit. One of the merkins will literally come to life during the exhibit: it is made of moss and seeds and visitors to the gallery will be able to interact with the merkin by misting it with water to help it grow. http://www.lindagass.com/IntimateApparel/About.html
exhibition_note
false
exhibition_genre:
mixed-media, wearable objects
exhibition_genre
mixed-media, wearable objects
exhibition_genre
false
exhibition URL:
exhibition_url
http://www1.umassd.edu/cvpa/universityartgallery/past/2010/intimate_apparel.cfm
exhibition URL
false
resourceID:
06_ibloch_001
resource_id
06_ibloch_001
resourceID
false
resource_type:
photographs
resource_type
photographs
resource_type
false
copyright notice:
COPYRIGHT NOTIFICATION: Under the direction of the Visual Resource Center digital collections are made available to the UMass Dartmouth campus community for the sole purpose of classroom instruction and study in accordance U.S. Copyright Laws . All other uses are prohibited and are subject to copyright infringements.
copyright_notice
COPYRIGHT NOTIFICATION: Under the direction of the Visual Resource Center digital collections are made available to the UMass Dartmouth campus community for the sole purpose of classroom instruction and study in accordance U.S. Copyright Laws . All other uses are prohibited and are subject to copyright infringements.
copyright notice
false
credit line:
UMass Dartmouth Art Galleries
credit_line
UMass Dartmouth Art Galleries
credit line
false
artist name:
Bloch, Ingrid Goldbloom
artist_name
Bloch, Ingrid Goldbloom
artist name
false
artist_nationality:
American
artist_nationality
American
artist_nationality
false
artist_vital dates:
1945 -
artist_vital_dates
1945 -
artist_vital dates
false
artist_biographical note:
BIOGRAPHY: Ingrid Goldbloom Bloch sees beauty in common objects. Hardware stores are her inspiration for many of the mixed-media sculptures she creates. She transforms everyday materials intended for one purpose into something entirely different. Vinyl plumbing tubing metamorphoses into glass-like vessels. Steel nuts and washers are woven together to create undergarments. "My goal in my work is to draw the viewer in to take a closer look at materials and objects that ordinarily go unnoticed and see them in a new light." Her pieces have been described as "innovative, ironic, and humorous." Her works have been featured in museums and galleries throughout the United States including two Bead International: Best in Contemporary Beadwork touring shows, SOFA Chicago and New York, the Fuller Craft Museum's prestigious "Trashformations" touring show and The Society of Arts and Crafts in Boston. Select images have appeared in a number of books and publications, including: 500 Beaded Objects (Lark Publishing) Creating Beaded Beads (Lark Publishing), Fiber Arts Magazine, Beadwork Magazine, Surface Design Journal, Bead & Button Magazine and The Boston Globe. Ingrid Goldbloom Bloch was born in Chapel Hill, North Carolina and raised in New Mexico and Wisconsin. She is a self-taught artist who draws upon the disciplines of contemporary beadwork, metal work, and fiber arts.
artist_biographical_note
BIOGRAPHY: Ingrid Goldbloom Bloch sees beauty in common objects. Hardware stores are her inspiration for many of the mixed-media sculptures she creates. She transforms everyday materials intended for one purpose into something entirely different. Vinyl plumbing tubing metamorphoses into glass-like vessels. Steel nuts and washers are woven together to create undergarments. "My goal in my work is to draw the viewer in to take a closer look at materials and objects that ordinarily go unnoticed and see them in a new light." Her pieces have been described as "innovative, ironic, and humorous." Her works have been featured in museums and galleries throughout the United States including two Bead International: Best in Contemporary Beadwork touring shows, SOFA Chicago and New York, the Fuller Craft Museum's prestigious "Trashformations" touring show and The Society of Arts and Crafts in Boston. Select images have appeared in a number of books and publications, including: 500 Beaded Objects (Lark Publishing) Creating Beaded Beads (Lark Publishing), Fiber Arts Magazine, Beadwork Magazine, Surface Design Journal, Bead & Button Magazine and The Boston Globe. Ingrid Goldbloom Bloch was born in Chapel Hill, North Carolina and raised in New Mexico and Wisconsin. She is a self-taught artist who draws upon the disciplines of contemporary beadwork, metal work, and fiber arts.
artist_biographical note
false
artist_URL:
artist_url
http://ingridgoldbloombloch.com/home.html
artist_URL
false
artist_reference:
artist_reference
http://www.lindagass.com/IntimateApparel/Artists/IngridBloch.html
artist_reference
false
work_title:
Untitled
work_title
Untitled
work_title
false
work_medium:
Brass screening, Bobby pins, upholstery thread
work_medium
Brass screening, Bobby pins, upholstery thread
work_medium
false
work_technique:
Screening cut into shape. Approximately 1,000 bobby pins pushed individually through the screen grid to form dense look of hair. Edges finished with wrapped upholstery thread.
work_technique
Screening cut into shape. Approximately 1,000 bobby pins pushed individually through the screen grid to form dense look of hair. Edges finished with wrapped upholstery thread.
work_technique
false
work_date:
2006
work_date
2006
work_date
false
work_note:
Dimensions: 7.5" w x 7" h x 2.5" d (12" w x 12" h x 3.5" d framed)
work_note
Dimensions: 7.5" w x 7" h x 2.5" d (12" w x 12" h x 3.5" d framed)
work_note
false
work_topic:
"Merkin" - The authoritative Oxford English Dictionary defines it as "an artificial covering of hair for the female pubic region; a pubic wig for women."
work_topic
"Merkin" - The authoritative Oxford English Dictionary defines it as "an artificial covering of hair for the female pubic region; a pubic wig for women."
work_topic
false
work_reference:
work_reference
http://www.lindagass.com/IntimateApparel/Artwork/368667.html
work_reference
false
date_of_ record:
2013
date_of__record
2013
date_of_ record
false
name_cataloger:
BC
name_cataloger
BC
name_cataloger
false