COLLECTION NAME:
University Art Galleries (UMassD)
mediaCollectionId
UMASSDVRCVRC~43~43
University Art Galleries (UMassD)
Collection
true
exhibition_title:
Tautologos: New work by Jen Pepper
exhibition_title
Tautologos: New work by Jen Pepper
exhibition_title
false
exhibition_dates:
January 19, 2008 - March 13, 2008
exhibition_dates
January 19, 2008 - March 13, 2008
exhibition_dates
false
exhibition_year:
2008
exhibition_year
2008
exhibition_year
false
exhibition_location:
University Art Gallery (UMass Dartmouth Galleries)
exhibition_location
University Art Gallery (UMass Dartmouth Galleries)
exhibition_location
false
exhibition_curator:
Lasse B. Antonsen
exhibition_curator
Lasse B. Antonsen
exhibition_curator
false
exhibition_note:
Jen Pepper's Artist's Statement: My work explores the intersection between language and the body and their interaction with the physical and emotional environment. Found words from everyday life, philosophy and art are incorporated into the work as concrete building blocks that describe malleable processes. The works depict explosions, wind patterns, steam, and the making of language in stop-action temporal activity. Works twist and curl comically in animated space, suggesting that language and meaning is under constant reconstruction creating fluidity that seems to extend endlessly. Sculptural works of rubberized crocheted nylon, fibers, leather, metals and slip key rings suggest that what is presumed to be fixed is always on the move and may unravel and reconstitute at any point. Clipped texts of unit-to-system matrixes present the complexity and slipperiness of language. Nothing is ever permanent in these parts. Ink drawings articulate visible text and fluid forms that are harnessed by the absorbency of paper. Fully saturated, my drawings spill forth, energetic and active, visually vibrating and arresting. In these works I attempt to bring forth the temporal attributes systems offer as they articulate and name our world. Forms and ideas undulate between structure and elusiveness -- implying that the subject is under constant transformative r/evolution, continually reshaping our world physically and imaginatively.
exhibition_note_
Jen Pepper's Artist's Statement: My work explores the intersection between language and the body and their interaction with the physical and emotional environment. Found words from everyday life, philosophy and art are incorporated into the work as concrete building blocks that describe malleable processes. The works depict explosions, wind patterns, steam, and the making of language in stop-action temporal activity. Works twist and curl comically in animated space, suggesting that language and meaning is under constant reconstruction creating fluidity that seems to extend endlessly. Sculptural works of rubberized crocheted nylon, fibers, leather, metals and slip key rings suggest that what is presumed to be fixed is always on the move and may unravel and reconstitute at any point. Clipped texts of unit-to-system matrixes present the complexity and slipperiness of language. Nothing is ever permanent in these parts. Ink drawings articulate visible text and fluid forms that are harnessed by the absorbency of paper. Fully saturated, my drawings spill forth, energetic and active, visually vibrating and arresting. In these works I attempt to bring forth the temporal attributes systems offer as they articulate and name our world. Forms and ideas undulate between structure and elusiveness -- implying that the subject is under constant transformative r/evolution, continually reshaping our world physically and imaginatively.
exhibition_note
false
exhibition_genre:
installation
exhibition_genre
installation
exhibition_genre
false
exhibition URL:
exhibition_url
http://www1.umassd.edu/cvpa/universityartgallery/past/2008/jenpepper.cfm
exhibition URL
false
resourceID:
08_JenPepper_28
resource_id
08_JenPepper_28
resourceID
false
resourceID:
08_JenPepper_50
resource_id
08_JenPepper_50
resourceID
false
resourceID:
08_JenPepper_57
resource_id
08_JenPepper_57
resourceID
false
resourceID:
08_JenPepper_58
resource_id
08_JenPepper_58
resourceID
false
resourceID:
08_JenPepper_59
resource_id
08_JenPepper_59
resourceID
false
resource_type:
photographs
resource_type
photographs
resource_type
false
copyright notice:
COPYRIGHT NOTIFICATION: Under the direction of the Visual Resource Center digital collections are made available to the UMass Dartmouth campus community for the sole purpose of classroom instruction and study in accordance U.S. Copyright Laws . All other uses are prohibited and are subject to copyright infringements.
copyright_notice
COPYRIGHT NOTIFICATION: Under the direction of the Visual Resource Center digital collections are made available to the UMass Dartmouth campus community for the sole purpose of classroom instruction and study in accordance U.S. Copyright Laws . All other uses are prohibited and are subject to copyright infringements.
copyright notice
false
credit line:
UMass Dartmouth Art Galleries
credit_line
UMass Dartmouth Art Galleries
credit line
false
artist name:
Peach, Anna
artist_name
Peach, Anna
artist name
false
artist name:
Pepper, Jen
artist_name
Pepper, Jen
artist name
false
artist_nationality:
American
artist_nationality
American
artist_nationality
false
artist_vital dates:
17th century and 18th century
artist_vital_dates
17th century and 18th century
artist_vital dates
false
artist_biographical note:
Born in Toronto Ontario, Jen Pepper is an artist who lives in Central New York. She has exhibited nationally and internationally in 24 solo exhibitions to date and has participated in over 55 group exhibitions since 1990. Her work has been seen in international and national venues including the UK, Japan, Canada, New York City and other gallery and museums throughout the USA including The Everson Museum of Art, The Schweinfurth Memorial Art Center, Munson Williams Proctor Art Institute, The Herbert J. Johnson Museum, others. In 2010 a solo exhibition of her work opened "The Edge of Art: New York State Artist Series," at the Everson Museum of Art in Syracuse titled "that which cannot be held" and was reviewed in Sculpture magazine March 2011 Vol.30 No.2. In 2008 her work was included in The Astraea Visual Art fellows' panel sponsored by The Sackler Center for Feminist Art at the Brooklyn Museum of Art in NYC. She was the guest curator at The Schweinfurth Memorial Art Center in Auburn, NY for the exhibition "Made in NY 2008." Pepper has been the recipient of granted awards including The National Endowment for the Humanities, New York State Council on the Arts, New York State Foundation for the Arts, Astraea National Visual Artist fellow (NYC) and The Constance Saltonstall Foundation for the Arts. She has been an invited artist in residence to Fundación Casa Museo SOLAINA DE PILOÑO, Galicia, SPAIN (2008), Art Colony Galichnik (2006) in the Republic of Macedonia, Foundation Valparaiso, Spain (2003), The Constance Saltonstall Foundation for the Arts (2004 + 2003), The Virginia Center for the Creative Arts (2002), Anam Cara Artists Colony, Co. Cork, Ireland (2001), The Corporation of Yaddo (2000), Sculpture Space, Inc., (1997), Millay Colony for the Arts (1995), in New York State. Her work is included in the Flatfiles at Pierogi Gallery in Brooklyn, NY. Her work is in the collections including: The Paul J. Schupf Collection, Hamilton, NY, Mala Stanica (National Gallery of Macedonia), Foundation Valparaiso, (Alermia Spain), Casa Museo Solaina de PiloÑo, (Galicia, Spain), Sue Booth Forbes, West Cork (Ireland), Peggy + Booth Chilcutt, (USA), among other CAN + USA private collections. Pepper has been a guest speaker at many conferences including: 2007 Women's Studies Annual conference sponsored by Middle Tennessee State University authoring a paper titled: The Latent Image: Performing Identity and delivered to 16th Annual Women's Studies Conference at Marist College in Poughkeepsie, NY. She has been a guest panelist at the 2005 14th Annual Women's Studies Conference meetings presenting the paper: Digital Flickerings + Femme Technology, in 2003 she authored and presented a paper on Postmodern Gender Aesthetics at The Western Social Science annual conference in Las Vegas, NV. And in 2001 to American Society for Aesthetics annual meetings in Minneapolis, MN authoring the paper How Feminist Aesthetics has Affected the Arts. An associate professor of art at Cazenovia College in New York, Pepper also serves as gallery director there since 2005. She holds a BFA from The Maryland Institute College of Art, 1987 and an MFA from The University of Connecticut, 1989.
artist_biographical_note
Born in Toronto Ontario, Jen Pepper is an artist who lives in Central New York. She has exhibited nationally and internationally in 24 solo exhibitions to date and has participated in over 55 group exhibitions since 1990. Her work has been seen in international and national venues including the UK, Japan, Canada, New York City and other gallery and museums throughout the USA including The Everson Museum of Art, The Schweinfurth Memorial Art Center, Munson Williams Proctor Art Institute, The Herbert J. Johnson Museum, others. In 2010 a solo exhibition of her work opened "The Edge of Art: New York State Artist Series," at the Everson Museum of Art in Syracuse titled "that which cannot be held" and was reviewed in Sculpture magazine March 2011 Vol.30 No.2. In 2008 her work was included in The Astraea Visual Art fellows' panel sponsored by The Sackler Center for Feminist Art at the Brooklyn Museum of Art in NYC. She was the guest curator at The Schweinfurth Memorial Art Center in Auburn, NY for the exhibition "Made in NY 2008." Pepper has been the recipient of granted awards including The National Endowment for the Humanities, New York State Council on the Arts, New York State Foundation for the Arts, Astraea National Visual Artist fellow (NYC) and The Constance Saltonstall Foundation for the Arts. She has been an invited artist in residence to Fundación Casa Museo SOLAINA DE PILOÑO, Galicia, SPAIN (2008), Art Colony Galichnik (2006) in the Republic of Macedonia, Foundation Valparaiso, Spain (2003), The Constance Saltonstall Foundation for the Arts (2004 + 2003), The Virginia Center for the Creative Arts (2002), Anam Cara Artists Colony, Co. Cork, Ireland (2001), The Corporation of Yaddo (2000), Sculpture Space, Inc., (1997), Millay Colony for the Arts (1995), in New York State. Her work is included in the Flatfiles at Pierogi Gallery in Brooklyn, NY. Her work is in the collections including: The Paul J. Schupf Collection, Hamilton, NY, Mala Stanica (National Gallery of Macedonia), Foundation Valparaiso, (Alermia Spain), Casa Museo Solaina de PiloÑo, (Galicia, Spain), Sue Booth Forbes, West Cork (Ireland), Peggy + Booth Chilcutt, (USA), among other CAN + USA private collections. Pepper has been a guest speaker at many conferences including: 2007 Women's Studies Annual conference sponsored by Middle Tennessee State University authoring a paper titled: The Latent Image: Performing Identity and delivered to 16th Annual Women's Studies Conference at Marist College in Poughkeepsie, NY. She has been a guest panelist at the 2005 14th Annual Women's Studies Conference meetings presenting the paper: Digital Flickerings + Femme Technology, in 2003 she authored and presented a paper on Postmodern Gender Aesthetics at The Western Social Science annual conference in Las Vegas, NV. And in 2001 to American Society for Aesthetics annual meetings in Minneapolis, MN authoring the paper How Feminist Aesthetics has Affected the Arts. An associate professor of art at Cazenovia College in New York, Pepper also serves as gallery director there since 2005. She holds a BFA from The Maryland Institute College of Art, 1987 and an MFA from The University of Connecticut, 1989.
artist_biographical note
false
artist_URL:
artist_url
http://www.jenpepper.com/
artist_URL
false
artist_reference:
artist_reference
http://www.jenpepper.com/bio
artist_reference
false
work_title:
Curtained Bracelets
work_title
Curtained Bracelets
work_title
false
work_medium:
aluminum chain
work_medium
aluminum chain
work_medium
false
work_technique:
sculpture - construction
work_technique
sculpture - construction
work_technique
false
work_date:
2008
work_date
2008
work_date
false
work_note:
98 x 6 x .5 in
work_note
98 x 6 x .5 in
work_note
false
work_topic:
installation
work_topic
installation
work_topic
false
work_reference:
work_reference
http://www.jenpepper.com/sculpture/tauto-logos-/5
work_reference
false
date_of_ record:
2013
date_of__record
2013
date_of_ record
false
name_cataloger:
BC
name_cataloger
BC
name_cataloger
false