COLLECTION NAME:
University Art Galleries (UMassD)
Record
exhibition_title:
Open Secrets (drawings and etching by Paula Rego
exhibition_dates:
September 20, 1999 - October 23, 1999
exhibition_year:
1999
exhibition_location:
CVPA Campus Gallery (UMass Dartmouth Galleries)
exhibition_curator:
Memory Holloway
exhibition_genre:
drawings
exhibition_genre:
etchings
resourceID:
12osdepr_paula_rego_catalog
resource_type:
book - exhibition catalog
copyright notice:
COPYRIGHT NOTIFICATION: Under the direction of the Visual Resource Center digital collections are made available to the UMass Dartmouth campus community for the sole purpose of classroom instruction and study in accordance U.S. Copyright Laws . All other uses are prohibited and are subject to copyright infringements.
credit line:
UMass Dartmouth Art Galleries
artist name:
Paula Rego
artist_nationality:
British - Portuguese
artist_vital dates:
1934 -
artist_biographical note:
British painter and printmaker of Portuguese birth. She trained at the Slade School of Fine Art. There she met the English painter Victor Willing (192888) They continued to divide their time between Portugal and England until 1975. She first won acclaim in Portugal with semi-abstract paintings that sometimes included collage elements culled from her own drawings. Their satiric wit and verve of line, sometimes applied to violent or political subjects revealed gifts for story-telling that had been awakened in her as a child by folk-tales related by a great-aunt. In 1976 Rego returned to London with her husband, and in the late 1970s she turned from collage to drawing directly in acrylic on paper. Using an essentially graphic style reminiscent of comic strips, she continued to produce figurative pictures that were spontaneous narratives rather than illustrations to literary texts. Her characters often took the form of animals for satirical effect. She developed a greater freedom and range of colour in her drawings, which inclined them more towards painting. In 1986 she turned to a naturalistic idiom with strongly modelled figures and a consistent light source, often in interior settings as in Snare (1987; Brit. Council Col.); similar subjects were treated in prints which effectively combined etched outlines with tonal gradations of aquatint. These psychologically charged presentations of human dramas, based in part on childhood memories, won her a wide and admiring audience. In 1989 her largest painting to that date, The Dance (2.13×2.74m), was bought by the Tate.
work_title:
A collection of drawings and etchings by Paula Rego
work_technique:
drawing
work_technique:
print - etching
work_date:
ca. 1993 - 1999