COLLECTION NAME:
University Art Galleries (UMassD)
mediaCollectionId
UMASSDVRCVRC~43~43
University Art Galleries (UMassD)
Collection
true
exhibition_title:
Science, Religion, Art: Greater New Bedford Area Artists Responding to JOHANN JACOB SCHEUCHZER's "PHYSICA SACRA"
exhibition_title
Science, Religion, Art: Greater New Bedford Area Artists Responding to JOHANN JACOB SCHEUCHZER's "PHYSICA SACRA"
exhibition_title
false
exhibition_dates:
December 31, 2007 to January 10, 2008
exhibition_dates
December 31, 2007 to January 10, 2008
exhibition_dates
false
exhibition_year:
2007; 2008
exhibition_year
2007; 2008
exhibition_year
false
exhibition_location:
University Art Gallery (UMass Dartmouth Galleries)
exhibition_location
University Art Gallery (UMass Dartmouth Galleries)
exhibition_location
false
exhibition_curator:
Lasse B. Antonsen
exhibition_curator
Lasse B. Antonsen
exhibition_curator
false
exhibition_note:
The University Art Gallery at UMass Dartmouth continues its exhibition season with Science, Religion, Art: Greater New Bedford Area Artists Responding to Johann Jacob Scheuchzer's Physica Sacra, 1731-35. The exhibition will be on view from November 3, 2007 through January 10, 2008. An opening reception will be held on Saturday, November 3, from 3-5pm. Johann Jakob Scheuchzer, was born in Zurich in 1672. A lifelong scholar, Scheuchzer's pursuits of knowledge were wide-ranging and diverse, from science to medicine to paleontology. Like many scientists of the late 17th and early 18th century, Scheuchzer held to the belief that the Old Testament was a factual account of the history of the earth. In his masterpiece, Physica Sacra, he would reference the 1611 King James Bible version with recent discoveries in the natural sciences. This work was unique because its investigation of the relationship between science and religion was presented within the framework of the current state of the visual arts--illustrated with inventive copper plate engravings by well-known artists such as Corvinus, Sperling and Linz. In a period before public museums, Scheuchzer presented a seductive view of an imaginary world, viewed through lush frames depicting secondary symbols, plants, animals, heads and other objects, providing the viewer rich material for an inspired vision of the interaction between the natural and the divine powers. This exhibition presents the work of sixteen artists from the greater New Bedford area, invited to respond to those aspects of Scheuchzer's work which fascinated them the most. The exhibition includes artists working in materials such as textile, metal, clay and wood, and includes work in the areas of installation, sculpture, painting, drawing, furniture and flower arrangement. The gallery has invited several former UMass Dartmouth graduate students who now reside permanently in the area to participate in the exhibition. The artists featured are: Sue Aygarn-Kowalski, John Borowicz, Margie Butler, Chad Frownfelter, Michael Hecht, Pat Kellogg, Roger Kizik, Sarah Martin, Elin Noble, Dianne Reilly, William Shattuck, Nicole St.Pierre, Kathy Tracy, Jane Tuckerman, Joyce Utting Schutter and Ann Wood. Noted science writer, Dorion Sagan, has written an introductory essay, "The Sacred Physics of Johann Jacob Scheuchzer," which will be on display as a wall text in the gallery during the exhibition. The University Art Gallery is located in the Star Store Campus of UMass Dartmouth at 715 Purchase Street, New Bedford. The gallery is open daily from 9am-6pm. All exhibitions and events are free and open to the public. For additional information, please contact Lasse Antonsen, Director, University Art Gallery, at (508) 999-8555, or lantonsen@umassd.edu.
exhibition_note_
The University Art Gallery at UMass Dartmouth continues its exhibition season with Science, Religion, Art: Greater New Bedford Area Artists Responding to Johann Jacob Scheuchzer's Physica Sacra, 1731-35. The exhibition will be on view from November 3, 2007 through January 10, 2008. An opening reception will be held on Saturday, November 3, from 3-5pm. Johann Jakob Scheuchzer, was born in Zurich in 1672. A lifelong scholar, Scheuchzer's pursuits of knowledge were wide-ranging and diverse, from science to medicine to paleontology. Like many scientists of the late 17th and early 18th century, Scheuchzer held to the belief that the Old Testament was a factual account of the history of the earth. In his masterpiece, Physica Sacra, he would reference the 1611 King James Bible version with recent discoveries in the natural sciences. This work was unique because its investigation of the relationship between science and religion was presented within the framework of the current state of the visual arts--illustrated with inventive copper plate engravings by well-known artists such as Corvinus, Sperling and Linz. In a period before public museums, Scheuchzer presented a seductive view of an imaginary world, viewed through lush frames depicting secondary symbols, plants, animals, heads and other objects, providing the viewer rich material for an inspired vision of the interaction between the natural and the divine powers. This exhibition presents the work of sixteen artists from the greater New Bedford area, invited to respond to those aspects of Scheuchzer's work which fascinated them the most. The exhibition includes artists working in materials such as textile, metal, clay and wood, and includes work in the areas of installation, sculpture, painting, drawing, furniture and flower arrangement. The gallery has invited several former UMass Dartmouth graduate students who now reside permanently in the area to participate in the exhibition. The artists featured are: Sue Aygarn-Kowalski, John Borowicz, Margie Butler, Chad Frownfelter, Michael Hecht, Pat Kellogg, Roger Kizik, Sarah Martin, Elin Noble, Dianne Reilly, William Shattuck, Nicole St.Pierre, Kathy Tracy, Jane Tuckerman, Joyce Utting Schutter and Ann Wood. Noted science writer, Dorion Sagan, has written an introductory essay, "The Sacred Physics of Johann Jacob Scheuchzer," which will be on display as a wall text in the gallery during the exhibition. The University Art Gallery is located in the Star Store Campus of UMass Dartmouth at 715 Purchase Street, New Bedford. The gallery is open daily from 9am-6pm. All exhibitions and events are free and open to the public. For additional information, please contact Lasse Antonsen, Director, University Art Gallery, at (508) 999-8555, or lantonsen@umassd.edu.
exhibition_note
false
exhibition_genre:
metalword
exhibition_genre
metalword
exhibition_genre
false
exhibition_genre:
painting
exhibition_genre
painting
exhibition_genre
false
exhibition_genre:
sculpture
exhibition_genre
sculpture
exhibition_genre
false
exhibition_genre:
wood
exhibition_genre
wood
exhibition_genre
false
exhibition URL:
exhibition_url
http://www1.umassd.edu/calendar/?ek=11291
exhibition URL
false
resourceID:
aygarn_kowalski_balance001
resource_id
aygarn_kowalski_balance001
resourceID
false
resourceID:
aygarn_kowalski_balance002
resource_id
aygarn_kowalski_balance002
resourceID
false
resourceID:
aygarn_kowalski_balance003
resource_id
aygarn_kowalski_balance003
resourceID
false
resourceID:
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resource_id
aygarn_kowalski_balance004
resourceID
false
resourceID:
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resource_id
aygarn_kowalski_balance005
resourceID
false
resourceID:
aygarn_kowalski_balance006
resource_id
aygarn_kowalski_balance006
resourceID
false
resource_type:
photographs
resource_type
photographs
resource_type
false
copyright notice:
COPYRIGHT NOTIFICATION: Under the direction of the Visual Resource Center digital collections are made available to the UMass Dartmouth campus community for the sole purpose of classroom instruction and study in accordance U.S. Copyright Laws . All other uses are prohibited and are subject to copyright infringements.
copyright_notice
COPYRIGHT NOTIFICATION: Under the direction of the Visual Resource Center digital collections are made available to the UMass Dartmouth campus community for the sole purpose of classroom instruction and study in accordance U.S. Copyright Laws . All other uses are prohibited and are subject to copyright infringements.
copyright notice
false
credit line:
UMass Dartmouth Art Galleries
credit_line
UMass Dartmouth Art Galleries
credit line
false
artist name:
Aygarn-Kowalski, Sue
artist_name
Aygarn-Kowalski, Sue
artist name
false
artist_nationality:
American
artist_nationality
American
artist_nationality
false
artist_biographical note:
Artist statement: My work takes the form of functional tools for the hand in metal, wood, and plastic. They are an argument for aesthetic experience over speed and efficiency, for skill over blind use, for self-reliance over dependencies, and for an absolute love of process. Like bookends, ideas concerning the hand and the informing sense of touch act as a nurturing cradle for my work. The objects I make result from my need to live actively, physically, and tactilely in an increasingly computerized world, and I offer my work as a counterpoint to digital culture. I believe that through the combination of hand and mind the most powerful resource in the evolution of humans emerged - the ability to fabricate and to use tools. The result was and continues to be, the ability to affect, guide, and in large degrees to control (for better or worse) the conditions that make up both our physical and social environments. This belief drives my artistic desire to celebrate the direct, self-informing, and tactile relationship between hand, tool and user.
artist_biographical_note
Artist statement: My work takes the form of functional tools for the hand in metal, wood, and plastic. They are an argument for aesthetic experience over speed and efficiency, for skill over blind use, for self-reliance over dependencies, and for an absolute love of process. Like bookends, ideas concerning the hand and the informing sense of touch act as a nurturing cradle for my work. The objects I make result from my need to live actively, physically, and tactilely in an increasingly computerized world, and I offer my work as a counterpoint to digital culture. I believe that through the combination of hand and mind the most powerful resource in the evolution of humans emerged - the ability to fabricate and to use tools. The result was and continues to be, the ability to affect, guide, and in large degrees to control (for better or worse) the conditions that make up both our physical and social environments. This belief drives my artistic desire to celebrate the direct, self-informing, and tactile relationship between hand, tool and user.
artist_biographical note
false
artist_URL:
artist_url
http://sueaygarnkowalski.com/resume.html
artist_URL
false
work_title:
Balance
work_title
Balance
work_title
false
work_medium:
cooper, sterling and steel
work_medium
cooper, sterling and steel
work_medium
false
work_technique:
metalwork
work_technique
metalwork
work_technique
false
work_date:
2008
work_date
2008
work_date
false
work_topic:
art
work_topic
art
work_topic
false
work_topic:
religion
work_topic
religion
work_topic
false
work_topic:
science
work_topic
science
work_topic
false
work_reference:
work_reference
http://sueaygarnkowalski.com/img/sculpture/s23.html
work_reference
false
date_of_ record:
2013
date_of__record
2013
date_of_ record
false
name_cataloger:
BC
name_cataloger
BC
name_cataloger
false