The collection of multimedia works that comprise the Minisalon exhibit were the brainchild of dissident artist, Joska Skolnik. In 1984, Skolnik secretly commissioned 244 art works by prominent, underground Czech artists. Using 662 foot wooden boxes to convey their emotions, the artists created a startling and moving multidimensional exhibition of life under a Communist regime. In order to avoid confiscation, the works were then concealed until the fall of the regime in 1989. The 1948 seizure of Czechoslovakia by Communists resulted in severe curbs on freedom of expression. In order to exert its control over artistic thought, the regime denied nonconforming artists access to state-sponsored galleries. As a result, only those artists willing to promote the Socialist realism were permitted to display their works. Private exhibits and sales were criminalized. Ultimately, the realm of art was divided into the legal proregime works and their underground unofficial counterparts. In 1971, this repressive environment gave birth to the Jazz Section, a group of artists who fought for the freedom of artistic expression even in the face of the Government's repression. Free of Government control, the Jazz Section quickly became Czechoslovakia's leading culture force. Its popularity and irreverence angered the regime, and it immediately ordered the organization to disband. Instead the members of Jazz Section ignored the demand and continued their activities. The Government responded by arresting and imprisoning the Jazz Section leaders, among them Joska Skolnik.
work_note
The collection of multimedia works that comprise the Minisalon exhibit were the brainchild of dissident artist, Joska Skolnik. In 1984, Skolnik secretly commissioned 244 art works by prominent, underground Czech artists. Using 662 foot wooden boxes to convey their emotions, the artists created a startling and moving multidimensional exhibition of life under a Communist regime. In order to avoid confiscation, the works were then concealed until the fall of the regime in 1989. The 1948 seizure of Czechoslovakia by Communists resulted in severe curbs on freedom of expression. In order to exert its control over artistic thought, the regime denied nonconforming artists access to state-sponsored galleries. As a result, only those artists willing to promote the Socialist realism were permitted to display their works. Private exhibits and sales were criminalized. Ultimately, the realm of art was divided into the legal proregime works and their underground unofficial counterparts. In 1971, this repressive environment gave birth to the Jazz Section, a group of artists who fought for the freedom of artistic expression even in the face of the Government's repression. Free of Government control, the Jazz Section quickly became Czechoslovakia's leading culture force. Its popularity and irreverence angered the regime, and it immediately ordered the organization to disband. Instead the members of Jazz Section ignored the demand and continued their activities. The Government responded by arresting and imprisoning the Jazz Section leaders, among them Joska Skolnik.
work_note
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