COLLECTION NAME:
University Art Galleries (UMassD)
mediaCollectionId
UMASSDVRCVRC~43~43
University Art Galleries (UMassD)
Collection
true
exhibition_title:
Frank Poor- Residuum
exhibition_title
Frank Poor- Residuum
exhibition_title
false
exhibition_dates:
Sept 20 - Oct. 28, 2018
exhibition_dates
Sept 20 - Oct. 28, 2018
exhibition_dates
false
exhibition_year:
2018 Fall
exhibition_year
2018 Fall
exhibition_year
false
exhibition_location:
University Art Gallery (UMass Dartmouth Galleries) - Star Store
exhibition_location
University Art Gallery (UMass Dartmouth Galleries) - Star Store
exhibition_location
false
exhibition_note:
Exhibition combining photography and sculpture to re-create memories of architecture from the Southern USA.
exhibition_note_
Exhibition combining photography and sculpture to re-create memories of architecture from the Southern USA.
exhibition_note
false
exhibition_genre:
sculpture
exhibition_genre
sculpture
exhibition_genre
false
exhibition_genre:
photography
exhibition_genre
photography
exhibition_genre
false
exhibition URL:
exhibition_url
https://www.umassd.edu/cvpa/universityartgallery/exhibitions/2018/frankpoorresiduum.html
exhibition URL
false
resourceID:
2018_Residuum_01
resource_id
2018_Residuum_01
resourceID
false
resourceID:
2018_Residuum_02
resource_id
2018_Residuum_02
resourceID
false
resourceID:
2018_Residuum_03
resource_id
2018_Residuum_03
resourceID
false
resourceID:
2018_Residuum_04
resource_id
2018_Residuum_04
resourceID
false
resourceID:
2018_Residuum_05
resource_id
2018_Residuum_05
resourceID
false
resourceID:
2018_Residuum_06
resource_id
2018_Residuum_06
resourceID
false
resourceID:
2018_Residuum_07
resource_id
2018_Residuum_07
resourceID
false
resourceID:
2018_Residuum_08
resource_id
2018_Residuum_08
resourceID
false
resourceID:
2018_Residuum_09
resource_id
2018_Residuum_09
resourceID
false
resource_type:
photographs
resource_type
photographs
resource_type
false
copyright notice:
COPYRIGHT NOTIFICATION: Under the direction of the Visual Resource Center digital collections are made available to the UMass Dartmouth campus community for the sole purpose of classroom instruction and study in accordance U.S. Copyright Laws . All other uses are prohibited and are subject to copyright infringements.
copyright_notice
COPYRIGHT NOTIFICATION: Under the direction of the Visual Resource Center digital collections are made available to the UMass Dartmouth campus community for the sole purpose of classroom instruction and study in accordance U.S. Copyright Laws . All other uses are prohibited and are subject to copyright infringements.
copyright notice
false
credit line:
UMass Dartmouth Art Galleries
credit_line
UMass Dartmouth Art Galleries
credit line
false
artist name:
Frank Poor
artist_name
Frank Poor
artist name
false
artist_nationality:
American
artist_nationality
American
artist_nationality
false
artist_biographical note:
Artist Frank Poor’s interest in architecture – and more specifically, the changing southern landscape – began when his childhood home, Woodstock, Georgia, once a small town of approximately 500 people, experienced a boom in the 1970s and 80s. Buildings went up and the town grew to 30,000 residents seemingly overnight. Much of the architecture Poor viewed as meaningful, both personally and culturally, was torn down, replaced by contemporary structures. The rural built environment that had grown organically to reflect local needs was replaced with homogenous structures that bore no relationship to place. In most cases, these new homes and businesses were transitory, characterized by dated construction and cheap building materials. Small towns across the country, particularly in the southeastern United States, can tell tales similar to the one Poor experienced in Woodstock. The plight of these towns is the focus of the two- and three- dimensional mixed media works presented in Cast Shadows. Though originally trained as a sculptor, photography has become the foundation for much of Poor’s recent work. In 2009, when he began his current series, he relied predominantly on found or family photographs. With the exception of Church #1 and Church #2, both from 2010, all of the works Poor creates now incorporate his own photography. The process of shooting photographs is a method by which Poor gathers information – research to aid in his investigations. He notes, “Photographs are bits of evidence;” they are artifacts that suggest a narrative, but only tell part of the story. Poor most incorporates these images, printed on Plexiglas and wood veneers (cherry, knotty pine, birch, etc.), into three-dimensional architectural forms he constructs of basswood. The works range in scale from as small as nine inches to as large as seven feet in height. With the exception of the monumental works, most pieces hang on the wall; placement, scale, and Poor’s techniques combine to elevate these works from models or replicas to works of art. The series marks Poor’s return to the south after nearly twenty years. Initially motivated by nostalgia, he sought familiar, iconic imagery such as church steeples and family farms, primarily in Georgia, where he was raised, as a way of reconnecting with his past. In 2011, Poor expanded the geographic scope of his project through a pilgrimage to Hale County, Alabama. Hale County is most notable as the locale featured in Let Us Now Praise Famous Men. Published in 1941, the book developed out of a 1936 Fortune magazine assignment in which photographer Walker Evans and writer James Agee documented three white tenant families. Artist William Christenberry, born in Hale County the same year Evans and Agee began their project, embarked on his own exploration of Hale County (through photographs and sculptures), nearly thirty years after the release of Let Us Now Praise Famous Men. Poor represents a third generation of artists interested in revisiting Hale County, affirming the site’s importance in southern cultural discourse. In the Fall of 2012, Poor once again broadened his project through a visit to North Carolina. Though the area does not hold personal significance for the artist, the rural countryside provided a familiar backdrop. Several works presented in Cast Shadows include photographic source material from eastern North Carolina, including Barn on Rte. 97, and Tobacco Barn #2, #3, and #4. Poor combines the media used by both Christenberry and Evans to create works that embody the landscape and architecture of the area, without concern for precise replication. Though the structures are still readily understood as churches, sheds, mills, or warehouses, constructing more generalized shapes allow the pieces to function as icons – representations of time and space. While early works employed authentic construction methods, newer pieces are not as dependent on such techniques, allowing Poor more freedom with his design, and thus, a deeper connection to his concept. For example, Abandoned Sawmill, as an open, incomplete structure, reiterates the temporal nature of the built environment while commenting on the disappearance of small-scale industry throughout much of the south. Further, by inviting the viewer to consider the empty interior space, either through fragmented structures or the use of transparent Plexiglas surfaces, Poor heightens the sense of emptiness and loss. At times, Poor’s photographic imagery is closely merged with the architectural forms, such as in Hale Country Barn; doors, shutters, and roof shingles may be carefully delineated and aligned with the structure. More often, however, the alignment is slightly askew, perhaps in accordance with Poor’s notion that his “…memories don’t square with what I see.” This divergence between memory and reality is perhaps best exemplified in the artist’s newest works, Abandoned Barn near Murraytown and Abandoned Building in Union Springs. Though the structures are intact, in accordance with Poor’s memories, the photographic images – specifically of rust and overgrown foliage – reflect the reality of time, decay, and abandonment. Also included in Cast Shadows are two series of framed works, related both conceptually and aesthetically to Poor’s main body of work. The series of intaglio prints, Columbus Churches, were created during a residency in Columbus, Georgia, in 2011. Churches, often the tallest and most visible structures in a southern skyline, function as important architectural and cultural centers. Poor combined the silhouettes of fourteen different churches in Columbus with three civil war-era maps of the city. The churches, along with each map – one of roads, one of railroads, and one of the town’s topography, as seen in Columbus Church # 7, Columbus Church #8, and Columbus Church #4, respectively – represent four ways of describing the city, both past and present. Another series of two-dimensional works merging past and present include framed, printed veneer pieces, such as Woodlands and River Oaks. Poor incised subdivision maps from his hometown of Woodstock, Georgia, into landscape photographs from nearby locales. The maps, cut completely through the wood veneers, are once again statements on the changing southern landscape, depicting the literal destruction or disappearance of the natural environment as a result of human intervention. Distance, both in regard to time and physical location, plays an important role in Frank Poor’s creative process. He allows himself space from the site and the images before embarking on a new work. Such distance often alters one’s understanding of reality. For artists, it may also provide the necessary freedom to recreate a presence that is not necessarily a direct representation of the original experience, but rather one that is imaginative and innovative in its deviation. It is through the juxtaposition – and dislocation – of image and form that Poor initiates his dialogue about memory. He notes, “Memories can never be made to fit into an actual form. Memories themselves are inventions, made of ideas, ideals, and…nostalgia.” Poor, driven by “the impossibility of holding…memories up to the evidence,” creates mixed media works that visualize the changing southern landscape. Revisiting his own experiences, as well as those of great artists before him, Poor employs the language of southern vernacular architecture in order to create works that, although specific and deeply personal, are also meaningful for a wider audience.
artist_biographical_note
Artist Frank Poor’s interest in architecture – and more specifically, the changing southern landscape – began when his childhood home, Woodstock, Georgia, once a small town of approximately 500 people, experienced a boom in the 1970s and 80s. Buildings went up and the town grew to 30,000 residents seemingly overnight. Much of the architecture Poor viewed as meaningful, both personally and culturally, was torn down, replaced by contemporary structures. The rural built environment that had grown organically to reflect local needs was replaced with homogenous structures that bore no relationship to place. In most cases, these new homes and businesses were transitory, characterized by dated construction and cheap building materials. Small towns across the country, particularly in the southeastern United States, can tell tales similar to the one Poor experienced in Woodstock. The plight of these towns is the focus of the two- and three- dimensional mixed media works presented in Cast Shadows. Though originally trained as a sculptor, photography has become the foundation for much of Poor’s recent work. In 2009, when he began his current series, he relied predominantly on found or family photographs. With the exception of Church #1 and Church #2, both from 2010, all of the works Poor creates now incorporate his own photography. The process of shooting photographs is a method by which Poor gathers information – research to aid in his investigations. He notes, “Photographs are bits of evidence;” they are artifacts that suggest a narrative, but only tell part of the story. Poor most incorporates these images, printed on Plexiglas and wood veneers (cherry, knotty pine, birch, etc.), into three-dimensional architectural forms he constructs of basswood. The works range in scale from as small as nine inches to as large as seven feet in height. With the exception of the monumental works, most pieces hang on the wall; placement, scale, and Poor’s techniques combine to elevate these works from models or replicas to works of art. The series marks Poor’s return to the south after nearly twenty years. Initially motivated by nostalgia, he sought familiar, iconic imagery such as church steeples and family farms, primarily in Georgia, where he was raised, as a way of reconnecting with his past. In 2011, Poor expanded the geographic scope of his project through a pilgrimage to Hale County, Alabama. Hale County is most notable as the locale featured in Let Us Now Praise Famous Men. Published in 1941, the book developed out of a 1936 Fortune magazine assignment in which photographer Walker Evans and writer James Agee documented three white tenant families. Artist William Christenberry, born in Hale County the same year Evans and Agee began their project, embarked on his own exploration of Hale County (through photographs and sculptures), nearly thirty years after the release of Let Us Now Praise Famous Men. Poor represents a third generation of artists interested in revisiting Hale County, affirming the site’s importance in southern cultural discourse. In the Fall of 2012, Poor once again broadened his project through a visit to North Carolina. Though the area does not hold personal significance for the artist, the rural countryside provided a familiar backdrop. Several works presented in Cast Shadows include photographic source material from eastern North Carolina, including Barn on Rte. 97, and Tobacco Barn #2, #3, and #4. Poor combines the media used by both Christenberry and Evans to create works that embody the landscape and architecture of the area, without concern for precise replication. Though the structures are still readily understood as churches, sheds, mills, or warehouses, constructing more generalized shapes allow the pieces to function as icons – representations of time and space. While early works employed authentic construction methods, newer pieces are not as dependent on such techniques, allowing Poor more freedom with his design, and thus, a deeper connection to his concept. For example, Abandoned Sawmill, as an open, incomplete structure, reiterates the temporal nature of the built environment while commenting on the disappearance of small-scale industry throughout much of the south. Further, by inviting the viewer to consider the empty interior space, either through fragmented structures or the use of transparent Plexiglas surfaces, Poor heightens the sense of emptiness and loss. At times, Poor’s photographic imagery is closely merged with the architectural forms, such as in Hale Country Barn; doors, shutters, and roof shingles may be carefully delineated and aligned with the structure. More often, however, the alignment is slightly askew, perhaps in accordance with Poor’s notion that his “…memories don’t square with what I see.” This divergence between memory and reality is perhaps best exemplified in the artist’s newest works, Abandoned Barn near Murraytown and Abandoned Building in Union Springs. Though the structures are intact, in accordance with Poor’s memories, the photographic images – specifically of rust and overgrown foliage – reflect the reality of time, decay, and abandonment. Also included in Cast Shadows are two series of framed works, related both conceptually and aesthetically to Poor’s main body of work. The series of intaglio prints, Columbus Churches, were created during a residency in Columbus, Georgia, in 2011. Churches, often the tallest and most visible structures in a southern skyline, function as important architectural and cultural centers. Poor combined the silhouettes of fourteen different churches in Columbus with three civil war-era maps of the city. The churches, along with each map – one of roads, one of railroads, and one of the town’s topography, as seen in Columbus Church # 7, Columbus Church #8, and Columbus Church #4, respectively – represent four ways of describing the city, both past and present. Another series of two-dimensional works merging past and present include framed, printed veneer pieces, such as Woodlands and River Oaks. Poor incised subdivision maps from his hometown of Woodstock, Georgia, into landscape photographs from nearby locales. The maps, cut completely through the wood veneers, are once again statements on the changing southern landscape, depicting the literal destruction or disappearance of the natural environment as a result of human intervention. Distance, both in regard to time and physical location, plays an important role in Frank Poor’s creative process. He allows himself space from the site and the images before embarking on a new work. Such distance often alters one’s understanding of reality. For artists, it may also provide the necessary freedom to recreate a presence that is not necessarily a direct representation of the original experience, but rather one that is imaginative and innovative in its deviation. It is through the juxtaposition – and dislocation – of image and form that Poor initiates his dialogue about memory. He notes, “Memories can never be made to fit into an actual form. Memories themselves are inventions, made of ideas, ideals, and…nostalgia.” Poor, driven by “the impossibility of holding…memories up to the evidence,” creates mixed media works that visualize the changing southern landscape. Revisiting his own experiences, as well as those of great artists before him, Poor employs the language of southern vernacular architecture in order to create works that, although specific and deeply personal, are also meaningful for a wider audience.
artist_biographical note
false
artist_URL:
artist_url
https://www.krakowwitkingallery.com/frank_poor?bio
artist_URL
false
artist_reference:
artist_reference
https://www.krakowwitkingallery.com/frank_poor?bio
artist_reference
false
work_title:
Exhibition Photographs
work_title
Exhibition Photographs
work_title
false
work_date:
2018
work_date
2018
work_date
false
work_note:
Photographs at exhibition opening
work_note
Photographs at exhibition opening
work_note
false
date_of_ record:
2018/10/22
date_of__record
2018/10/22
date_of_ record
false
name_cataloger:
ac
name_cataloger
ac
name_cataloger
false
CharacterSet:
%G
DateCreated:
2018-10-11
RecordVersion:
0
TimeCreated:
18:49:10+00:00
SaturationAdjustmentMagenta :
0
_luna_media_xmp_saturationadjustmentmagenta
0
SaturationAdjustmentMagenta
true
AlreadyApplied:
True
_luna_media_xmp_alreadyapplied
True
AlreadyApplied
true
History[7]/stEvt:softwareAgent :
Adobe Photoshop CC 2017 (Macintosh)
_luna_media_xmp_history_7__stevt_softwareagent
Adobe Photoshop CC 2017 (Macintosh)
History[7]/stEvt:softwareAgent
true
HasSettings:
True
_luna_media_xmp_hassettings
True
HasSettings
true
DerivedFrom/stRef:instanceID :
xmp.iid:0acb421c-ffe0-453b-aca1-deaa4e6eabcd
_luna_media_xmp_derivedfrom_stref_instanceid
xmp.iid:0acb421c-ffe0-453b-aca1-deaa4e6eabcd
DerivedFrom/stRef:instanceID
true
Clarity2012:
0
_luna_media_xmp_clarity2012
0
Clarity2012
true
History[9]:
type=Struct
_luna_media_xmp_history_9_
type=Struct
History[9]
true
AutoLateralCA:
0
_luna_media_xmp_autolateralca
0
AutoLateralCA
true
ToneCurveName2012:
Linear
_luna_media_xmp_tonecurvename2012
Linear
ToneCurveName2012
true
History[8]/stEvt:parameters :
from application/vnd.adobe.photoshop to image/jpeg
_luna_media_xmp_history_8__stevt_parameters
from application/vnd.adobe.photoshop to image/jpeg
History[8]/stEvt:parameters
true
History[1]/stEvt:parameters :
converted from image/x-canon-cr2 to image/tiff
_luna_media_xmp_history_1__stevt_parameters
converted from image/x-canon-cr2 to image/tiff
History[1]/stEvt:parameters
true
Exposure2012:
0.00
_luna_media_xmp_exposure2012
0.00
Exposure2012
true
ImageNumber:
0
_luna_media_xmp_imagenumber
0
ImageNumber
true
ColorNoiseReduction:
25
_luna_media_xmp_colornoisereduction
25
ColorNoiseReduction
true
UprightTransformCount :
6
_luna_media_xmp_uprighttransformcount
6
UprightTransformCount
true
UprightFocalMode:
0
_luna_media_xmp_uprightfocalmode
0
UprightFocalMode
true
Vibrance:
0
_luna_media_xmp_vibrance
0
Vibrance
true
History[1]:
type=Struct
_luna_media_xmp_history_1_
type=Struct
History[1]
true
DerivedFrom:
type=Struct
_luna_media_xmp_derivedfrom
type=Struct
DerivedFrom
true
HueAdjustmentOrange:
0
_luna_media_xmp_hueadjustmentorange
0
HueAdjustmentOrange
true
Sharpness:
25
_luna_media_xmp_sharpness
25
Sharpness
true
GrainAmount:
0
_luna_media_xmp_grainamount
0
GrainAmount
true
SplitToningShadowSaturation :
0
_luna_media_xmp_splittoningshadowsaturation
0
SplitToningShadowSaturation
true
MetadataDate:
2018-10-15T15:19:38-04:00
_luna_media_xmp_metadatadate
2018-10-15T15:19:38-04:00
MetadataDate
true
History[9]/stEvt:action :
derived
_luna_media_xmp_history_9__stevt_action
derived
History[9]/stEvt:action
true
Saturation:
0
_luna_media_xmp_saturation
0
Saturation
true
LuminanceSmoothing:
0
_luna_media_xmp_luminancesmoothing
0
LuminanceSmoothing
true
History[2]/stEvt:changed :
/
_luna_media_xmp_history_2__stevt_changed
/
History[2]/stEvt:changed
true
HueAdjustmentBlue:
0
_luna_media_xmp_hueadjustmentblue
0
HueAdjustmentBlue
true
History[10]/stEvt:instanceID :
xmp.iid:ee77e410-f8b6-4967-a37e-30260f8fb7cf
_luna_media_xmp_history_10__stevt_instanceid
xmp.iid:ee77e410-f8b6-4967-a37e-30260f8fb7cf
History[10]/stEvt:instanceID
true
WhiteBalance:
As Shot
_luna_media_xmp_whitebalance
As Shot
WhiteBalance
true
SaturationAdjustmentRed :
0
_luna_media_xmp_saturationadjustmentred
0
SaturationAdjustmentRed
true
ToneCurveBlue:
0, 0, 255, 255
_luna_media_xmp_tonecurveblue
0, 0, 255, 255
ToneCurveBlue
true
History[8]:
type=Struct
_luna_media_xmp_history_8_
type=Struct
History[8]
true
History[3]/stEvt:instanceID :
xmp.iid:f44a9890-7d5f-4577-979a-da72750a4ad6
_luna_media_xmp_history_3__stevt_instanceid
xmp.iid:f44a9890-7d5f-4577-979a-da72750a4ad6
History[3]/stEvt:instanceID
true
Dehaze:
0
_luna_media_xmp_dehaze
0
Dehaze
true
LensID:
234
_luna_media_xmp_lensid
234
LensID
true
ToneCurvePV2012:
0, 0, 255, 255
_luna_media_xmp_tonecurvepv2012
0, 0, 255, 255
ToneCurvePV2012
true
DateCreated:
2018-10-11T18:49:10.047
_luna_media_xmp_datecreated
2018-10-11T18:49:10.047
DateCreated
true
History[8]/stEvt:action :
converted
_luna_media_xmp_history_8__stevt_action
converted
History[8]/stEvt:action
true
HueAdjustmentRed:
0
_luna_media_xmp_hueadjustmentred
0
HueAdjustmentRed
true
PostCropVignetteAmount :
0
_luna_media_xmp_postcropvignetteamount
0
PostCropVignetteAmount
true
Rating:
0
_luna_media_xmp_rating
0
Rating
true
History[10]/stEvt:action :
saved
_luna_media_xmp_history_10__stevt_action
saved
History[10]/stEvt:action
true
PerspectiveHorizontal :
0
_luna_media_xmp_perspectivehorizontal
0
PerspectiveHorizontal
true
LuminanceAdjustmentOrange :
0
_luna_media_xmp_luminanceadjustmentorange
0
LuminanceAdjustmentOrange
true
UprightPreview:
False
_luna_media_xmp_uprightpreview
False
UprightPreview
true
SaturationAdjustmentBlue :
0
_luna_media_xmp_saturationadjustmentblue
0
SaturationAdjustmentBlue
true
Temperature:
2650
_luna_media_xmp_temperature
2650
Temperature
true
ParametricDarks:
0
_luna_media_xmp_parametricdarks
0
ParametricDarks
true
ParametricMidtoneSplit :
50
_luna_media_xmp_parametricmidtonesplit
50
ParametricMidtoneSplit
true
UprightCenterMode:
0
_luna_media_xmp_uprightcentermode
0
UprightCenterMode
true
History[2]/stEvt:action :
saved
_luna_media_xmp_history_2__stevt_action
saved
History[2]/stEvt:action
true
Shadows2012:
0
_luna_media_xmp_shadows2012
0
Shadows2012
true
History[2]/stEvt:softwareAgent :
Adobe Photoshop Camera Raw 10.2 (Macintosh)
_luna_media_xmp_history_2__stevt_softwareagent
Adobe Photoshop Camera Raw 10.2 (Macintosh)
History[2]/stEvt:softwareAgent
true
SerialNumber:
102031011806
_luna_media_xmp_serialnumber
102031011806
SerialNumber
true
ToneCurveRed:
0, 0, 255, 255
_luna_media_xmp_tonecurvered
0, 0, 255, 255
ToneCurveRed
true
Highlights2012:
0
_luna_media_xmp_highlights2012
0
Highlights2012
true
History[7]:
type=Struct
_luna_media_xmp_history_7_
type=Struct
History[7]
true
PerspectiveX:
0.00
_luna_media_xmp_perspectivex
0.00
PerspectiveX
true
PerspectiveY:
0.00
_luna_media_xmp_perspectivey
0.00
PerspectiveY
true
History[7]/stEvt:action :
saved
_luna_media_xmp_history_7__stevt_action
saved
History[7]/stEvt:action
true
LuminanceAdjustmentYellow :
0
_luna_media_xmp_luminanceadjustmentyellow
0
LuminanceAdjustmentYellow
true
RawFileName:
IMG_3503.CR2
_luna_media_xmp_rawfilename
IMG_3503.CR2
RawFileName
true
PerspectiveAspect:
0
_luna_media_xmp_perspectiveaspect
0
PerspectiveAspect
true
GreenSaturation:
0
_luna_media_xmp_greensaturation
0
GreenSaturation
true
SaturationAdjustmentYellow :
0
_luna_media_xmp_saturationadjustmentyellow
0
SaturationAdjustmentYellow
true
DocumentID:
adobe:docid:photoshop:a53b6043-113d-117c-8919-ad9c0e6a3036
_luna_media_xmp_documentid
adobe:docid:photoshop:a53b6043-113d-117c-8919-ad9c0e6a3036
DocumentID
true
format:
image/jpeg
_luna_media_xmp_format
image/jpeg
format
true
SplitToningHighlightHue :
0
_luna_media_xmp_splittoninghighlighthue
0
SplitToningHighlightHue
true
ShadowTint:
0
_luna_media_xmp_shadowtint
0
ShadowTint
true
ProcessVersion:
10.0
_luna_media_xmp_processversion
10.0
ProcessVersion
true
VignetteAmount:
0
_luna_media_xmp_vignetteamount
0
VignetteAmount
true
SharpenDetail:
25
_luna_media_xmp_sharpendetail
25
SharpenDetail
true
ConvertToGrayscale:
False
_luna_media_xmp_converttograyscale
False
ConvertToGrayscale
true
History[7]/stEvt:when :
2018-10-15T15:19:38-04:00
_luna_media_xmp_history_7__stevt_when
2018-10-15T15:19:38-04:00
History[7]/stEvt:when
true
LuminanceAdjustmentMagenta :
0
_luna_media_xmp_luminanceadjustmentmagenta
0
LuminanceAdjustmentMagenta
true
LuminanceAdjustmentPurple :
0
_luna_media_xmp_luminanceadjustmentpurple
0
LuminanceAdjustmentPurple
true
PerspectiveRotate:
0.0
_luna_media_xmp_perspectiverotate
0.0
PerspectiveRotate
true
ApproximateFocusDistance :
125/10
_luna_media_xmp_approximatefocusdistance
125/10
ApproximateFocusDistance
true
ToneCurvePV2012Blue:
0, 0, 255, 255
_luna_media_xmp_tonecurvepv2012blue
0, 0, 255, 255
ToneCurvePV2012Blue
true
SaturationAdjustmentOrange :
0
_luna_media_xmp_saturationadjustmentorange
0
SaturationAdjustmentOrange
true
DefringePurpleHueLo:
30
_luna_media_xmp_defringepurplehuelo
30
DefringePurpleHueLo
true
Version:
10.2
_luna_media_xmp_version
10.2
Version
true
History[6]/stEvt:when :
2018-10-15T15:19:16-04:00
_luna_media_xmp_history_6__stevt_when
2018-10-15T15:19:16-04:00
History[6]/stEvt:when
true
ParametricShadows:
0
_luna_media_xmp_parametricshadows
0
ParametricShadows
true
History[6]/stEvt:changed :
/
_luna_media_xmp_history_6__stevt_changed
/
History[6]/stEvt:changed
true
History[6]:
type=Struct
_luna_media_xmp_history_6_
type=Struct
History[6]
true
DefringeGreenHueHi:
60
_luna_media_xmp_defringegreenhuehi
60
DefringeGreenHueHi
true
HasCrop:
False
_luna_media_xmp_hascrop
False
HasCrop
true
ICCProfile:
Adobe RGB (1998)
_luna_media_xmp_iccprofile
Adobe RGB (1998)
ICCProfile
true
CreateDate:
2018-10-11T18:49:10
_luna_media_xmp_createdate
2018-10-11T18:49:10
CreateDate
true
HueAdjustmentMagenta:
0
_luna_media_xmp_hueadjustmentmagenta
0
HueAdjustmentMagenta
true
LuminanceAdjustmentAqua :
0
_luna_media_xmp_luminanceadjustmentaqua
0
LuminanceAdjustmentAqua
true
UprightFocalLength35mm :
35
_luna_media_xmp_uprightfocallength35mm
35
UprightFocalLength35mm
true
History[5]/stEvt:action :
derived
_luna_media_xmp_history_5__stevt_action
derived
History[5]/stEvt:action
true
HueAdjustmentPurple:
0
_luna_media_xmp_hueadjustmentpurple
0
HueAdjustmentPurple
true
ColorNoiseReductionDetail :
50
_luna_media_xmp_colornoisereductiondetail
50
ColorNoiseReductionDetail
true
LensProfileSetup:
LensDefaults
_luna_media_xmp_lensprofilesetup
LensDefaults
LensProfileSetup
true
History[7]/stEvt:instanceID :
xmp.iid:0acb421c-ffe0-453b-aca1-deaa4e6eabcd
_luna_media_xmp_history_7__stevt_instanceid
xmp.iid:0acb421c-ffe0-453b-aca1-deaa4e6eabcd
History[7]/stEvt:instanceID
true
Blacks2012:
0
_luna_media_xmp_blacks2012
0
Blacks2012
true
History[2]/stEvt:when :
2018-10-15T15:17:03-04:00
_luna_media_xmp_history_2__stevt_when
2018-10-15T15:17:03-04:00
History[2]/stEvt:when
true
History[5]:
type=Struct
_luna_media_xmp_history_5_
type=Struct
History[5]
true
Contrast2012:
0
_luna_media_xmp_contrast2012
0
Contrast2012
true
ColorNoiseReductionSmoothness :
50
_luna_media_xmp_colornoisereductionsmoothness
50
ColorNoiseReductionSmoothness
true
History[3]/stEvt:when :
2018-10-15T15:19:16-04:00
_luna_media_xmp_history_3__stevt_when
2018-10-15T15:19:16-04:00
History[3]/stEvt:when
true
History[3]/stEvt:changed :
/
_luna_media_xmp_history_3__stevt_changed
/
History[3]/stEvt:changed
true
PerspectiveVertical:
0
_luna_media_xmp_perspectivevertical
0
PerspectiveVertical
true
RedHue:
0
_luna_media_xmp_redhue
0
RedHue
true
ToneCurvePV2012Red:
0, 0, 255, 255
_luna_media_xmp_tonecurvepv2012red
0, 0, 255, 255
ToneCurvePV2012Red
true
History[3]/stEvt:softwareAgent :
Adobe Photoshop CC 2017 (Macintosh)
_luna_media_xmp_history_3__stevt_softwareagent
Adobe Photoshop CC 2017 (Macintosh)
History[3]/stEvt:softwareAgent
true
ParametricHighlights:
0
_luna_media_xmp_parametrichighlights
0
ParametricHighlights
true
LensModel:
EF-S17-85mm f/4-5.6 IS USM
_luna_media_xmp_lensmodel
EF-S17-85mm f/4-5.6 IS USM
LensModel
true
History[10]/stEvt:when :
2018-10-15T15:19:38-04:00
_luna_media_xmp_history_10__stevt_when
2018-10-15T15:19:38-04:00
History[10]/stEvt:when
true
History[4]/stEvt:action :
converted
_luna_media_xmp_history_4__stevt_action
converted
History[4]/stEvt:action
true
HueAdjustmentGreen:
0
_luna_media_xmp_hueadjustmentgreen
0
HueAdjustmentGreen
true
History[2]/stEvt:instanceID :
xmp.iid:9bad797d-474c-480a-ab86-66926b0a0420
_luna_media_xmp_history_2__stevt_instanceid
xmp.iid:9bad797d-474c-480a-ab86-66926b0a0420
History[2]/stEvt:instanceID
true
SaturationAdjustmentAqua :
0
_luna_media_xmp_saturationadjustmentaqua
0
SaturationAdjustmentAqua
true
DefringePurpleAmount:
0
_luna_media_xmp_defringepurpleamount
0
DefringePurpleAmount
true
Whites2012:
0
_luna_media_xmp_whites2012
0
Whites2012
true
SharpenEdgeMasking:
0
_luna_media_xmp_sharpenedgemasking
0
SharpenEdgeMasking
true
History[10]/stEvt:softwareAgent :
Adobe Photoshop CC 2017 (Macintosh)
_luna_media_xmp_history_10__stevt_softwareagent
Adobe Photoshop CC 2017 (Macintosh)
History[10]/stEvt:softwareAgent
true
SplitToningBalance:
0
_luna_media_xmp_splittoningbalance
0
SplitToningBalance
true
History[9]/stEvt:parameters :
converted from application/vnd.adobe.photoshop to image/jpeg
_luna_media_xmp_history_9__stevt_parameters
converted from application/vnd.adobe.photoshop to image/jpeg
History[9]/stEvt:parameters
true
RedSaturation:
0
_luna_media_xmp_redsaturation
0
RedSaturation
true
BlueHue:
0
_luna_media_xmp_bluehue
0
BlueHue
true
ModifyDate:
2018-10-15T15:19:38-04:00
_luna_media_xmp_modifydate
2018-10-15T15:19:38-04:00
ModifyDate
true
CameraProfileDigest:
BA45C872F6A5D11497D00CBA08D5783F
_luna_media_xmp_cameraprofiledigest
BA45C872F6A5D11497D00CBA08D5783F
CameraProfileDigest
true
OriginalDocumentID:
A23E16F2D85A62558C845D553287F166
_luna_media_xmp_originaldocumentid
A23E16F2D85A62558C845D553287F166
OriginalDocumentID
true
History[10]/stEvt:changed :
/
_luna_media_xmp_history_10__stevt_changed
/
History[10]/stEvt:changed
true
SharpenRadius:
+1.0
_luna_media_xmp_sharpenradius
+1.0
SharpenRadius
true
History[4]:
type=Struct
_luna_media_xmp_history_4_
type=Struct
History[4]
true
History[4]/stEvt:parameters :
from image/tiff to application/vnd.adobe.photoshop
_luna_media_xmp_history_4__stevt_parameters
from image/tiff to application/vnd.adobe.photoshop
History[4]/stEvt:parameters
true
LensSerialNumber:
000010b612
_luna_media_xmp_lensserialnumber
000010b612
LensSerialNumber
true
LensManualDistortionAmount :
0
_luna_media_xmp_lensmanualdistortionamount
0
LensManualDistortionAmount
true
SplitToningHighlightSaturation :
0
_luna_media_xmp_splittoninghighlightsaturation
0
SplitToningHighlightSaturation
true
ParametricShadowSplit :
25
_luna_media_xmp_parametricshadowsplit
25
ParametricShadowSplit
true
DerivedFrom/stRef:originalDocumentID :
A23E16F2D85A62558C845D553287F166
_luna_media_xmp_derivedfrom_stref_originaldocumentid
A23E16F2D85A62558C845D553287F166
DerivedFrom/stRef:originalDocumentID
true
History[3]/stEvt:action :
saved
_luna_media_xmp_history_3__stevt_action
saved
History[3]/stEvt:action
true
HueAdjustmentYellow:
0
_luna_media_xmp_hueadjustmentyellow
0
HueAdjustmentYellow
true
HueAdjustmentAqua:
0
_luna_media_xmp_hueadjustmentaqua
0
HueAdjustmentAqua
true
LuminanceAdjustmentRed :
0
_luna_media_xmp_luminanceadjustmentred
0
LuminanceAdjustmentRed
true
Tint:
+1
_luna_media_xmp_tint
+1
Tint
true
Lens:
EF-S17-85mm f/4-5.6 IS USM
_luna_media_xmp_lens
EF-S17-85mm f/4-5.6 IS USM
Lens
true
DefringeGreenAmount:
0
_luna_media_xmp_defringegreenamount
0
DefringeGreenAmount
true
SplitToningShadowHue:
0
_luna_media_xmp_splittoningshadowhue
0
SplitToningShadowHue
true
ToneCurve:
0, 0, 32, 22, 64, 56, 128, 128, 192, 196, 255, 255
_luna_media_xmp_tonecurve
0, 0, 32, 22, 64, 56, 128, 128, 192, 196, 255, 255
ToneCurve
true
PerspectiveScale:
100
_luna_media_xmp_perspectivescale
100
PerspectiveScale
true
UprightVersion:
151388160
_luna_media_xmp_uprightversion
151388160
UprightVersion
true
LensInfo:
17/1 85/1 0/0 0/0
_luna_media_xmp_lensinfo
17/1 85/1 0/0 0/0
LensInfo
true
History[5]/stEvt:parameters :
converted from image/tiff to application/vnd.adobe.photoshop
_luna_media_xmp_history_5__stevt_parameters
converted from image/tiff to application/vnd.adobe.photoshop
History[5]/stEvt:parameters
true
UprightFourSegmentsCount :
0
_luna_media_xmp_uprightfoursegmentscount
0
UprightFourSegmentsCount
true
LensProfileEnable:
0
_luna_media_xmp_lensprofileenable
0
LensProfileEnable
true
History[10]:
type=Struct
_luna_media_xmp_history_10_
type=Struct
History[10]
true
SaturationAdjustmentGreen :
0
_luna_media_xmp_saturationadjustmentgreen
0
SaturationAdjustmentGreen
true
History[6]/stEvt:action :
saved
_luna_media_xmp_history_6__stevt_action
saved
History[6]/stEvt:action
true
History[3]:
type=Struct
_luna_media_xmp_history_3_
type=Struct
History[3]
true
ParametricHighlightSplit :
75
_luna_media_xmp_parametrichighlightsplit
75
ParametricHighlightSplit
true
FlashCompensation:
0/1
_luna_media_xmp_flashcompensation
0/1
FlashCompensation
true
DerivedFrom/stRef:documentID :
xmp.did:8e201d62-17e1-43b3-973d-1bd46fb05742
_luna_media_xmp_derivedfrom_stref_documentid
xmp.did:8e201d62-17e1-43b3-973d-1bd46fb05742
DerivedFrom/stRef:documentID
true
CameraProfile:
Adobe Standard
_luna_media_xmp_cameraprofile
Adobe Standard
CameraProfile
true
History[7]/stEvt:changed :
/
_luna_media_xmp_history_7__stevt_changed
/
History[7]/stEvt:changed
true
ParametricLights:
0
_luna_media_xmp_parametriclights
0
ParametricLights
true
DefringeGreenHueLo:
40
_luna_media_xmp_defringegreenhuelo
40
DefringeGreenHueLo
true
ToneCurvePV2012Green:
0, 0, 255, 255
_luna_media_xmp_tonecurvepv2012green
0, 0, 255, 255
ToneCurvePV2012Green
true
Firmware:
1.1.1
_luna_media_xmp_firmware
1.1.1
Firmware
true
SaturationAdjustmentPurple :
0
_luna_media_xmp_saturationadjustmentpurple
0
SaturationAdjustmentPurple
true
BlueSaturation:
0
_luna_media_xmp_bluesaturation
0
BlueSaturation
true
History[6]/stEvt:softwareAgent :
Adobe Photoshop CC 2017 (Macintosh)
_luna_media_xmp_history_6__stevt_softwareagent
Adobe Photoshop CC 2017 (Macintosh)
History[6]/stEvt:softwareAgent
true
DocumentAncestors:
xmp.did:9bad797d-474c-480a-ab86-66926b0a0420
_luna_media_xmp_documentancestors
xmp.did:9bad797d-474c-480a-ab86-66926b0a0420
DocumentAncestors
true
DefringePurpleHueHi:
70
_luna_media_xmp_defringepurplehuehi
70
DefringePurpleHueHi
true
LuminanceAdjustmentBlue :
0
_luna_media_xmp_luminanceadjustmentblue
0
LuminanceAdjustmentBlue
true
History[1]/stEvt:action :
derived
_luna_media_xmp_history_1__stevt_action
derived
History[1]/stEvt:action
true
PerspectiveUpright:
0
_luna_media_xmp_perspectiveupright
0
PerspectiveUpright
true
History[2]:
type=Struct
_luna_media_xmp_history_2_
type=Struct
History[2]
true
UprightCenterNormX:
0.5
_luna_media_xmp_uprightcenternormx
0.5
UprightCenterNormX
true
History:
type=Seq
_luna_media_xmp_history
type=Seq
History
true
UprightCenterNormY:
0.5
_luna_media_xmp_uprightcenternormy
0.5
UprightCenterNormY
true
ColorMode:
3
_luna_media_xmp_colormode
3
ColorMode
true
LuminanceAdjustmentGreen :
0
_luna_media_xmp_luminanceadjustmentgreen
0
LuminanceAdjustmentGreen
true
ToneCurveGreen:
0, 0, 255, 255
_luna_media_xmp_tonecurvegreen
0, 0, 255, 255
ToneCurveGreen
true
InstanceID:
xmp.iid:ee77e410-f8b6-4967-a37e-30260f8fb7cf
_luna_media_xmp_instanceid
xmp.iid:ee77e410-f8b6-4967-a37e-30260f8fb7cf
InstanceID
true
ToneCurveName:
Medium Contrast
_luna_media_xmp_tonecurvename
Medium Contrast
ToneCurveName
true
History[6]/stEvt:instanceID :
xmp.iid:8e201d62-17e1-43b3-973d-1bd46fb05742
_luna_media_xmp_history_6__stevt_instanceid
xmp.iid:8e201d62-17e1-43b3-973d-1bd46fb05742
History[6]/stEvt:instanceID
true
GreenHue:
0
_luna_media_xmp_greenhue
0
GreenHue
true