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Diane Samuels: The Whale and Other Texts
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February 7 - March 15, 2018
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Feb 7 - March 15, 2018 RECEPTION: Thursday, March 8, 6:00 - 9:00 pm; Artist Talk 7:30 pm Exhibition at UMass Dartmouth University Art Gallery in Downtown New Bedford, “Diane Samuels: The Whale and Other Texts” is centered around the 8’ wide by 47’ long artwork Moby-Dick, or The Whale. This mesmerizing large scale piece appears to be floating on the gallery floor and spilling off the wall, reflecting on the ocean nearby, the location for the Melville’s famous novel. Pittsburgh based Diane Samuels who often uses text as a element in her visual vocabulary this time creates waves with her meticulous hand-transcriptions created using all of the 701 pages in the novel. Remnants of archival paper and drawings have been recycled and painted over and, in places, drawn and collaged using images that pertain to the specific text. Each page of the book (also exhibited at the gallery) is hand-written as a horizontal row of the drawing, starting with “Call me Ishmael” at the top of the artwork. Samuels chose Moby-Dick, or The Whale because of Melville’s descriptions of confrontations with “the other” and his archiving and cataloguing of information about whales and the world. In Chapter Three, Ishmael and Queequeg share a room and a bed at the Spouter-Inn. Ishmael describes his terror in meeting Queequeg. Despite cultural, racial, and language differences, the chapter ends with Ishmael’s statement, “I turned in, and never slept better in my life.” Accompanying this installation is the compressed sound of the artist reading out loud and hand-transcribing each page, creating a layered “audio block”; a dense sound comprised of words and pages, along with the ambient sounds of the artist’s studio. The audio block is the length of the longest page of the book. Other artworks also surprise visitors with their intricate hand-transcription in microscript. The Arabian Nights traces the stories told by Scheherazade over 10,000 fragments of papers painted in shades of indigo and crimson and edged in gold. The piece is a literal and figurative “magic carpet” whose central panel is bathed in the blood of the book’s unfortunate heroines and cloaked in the mysterious glow of night. Salman Rushdie’s “Midnight’s Children,” also visually reflects the content of the book, creating a unique composition made from 1001 pieces of paper made in India and joined to form a map of India on August 15, 1947, its date of independence. The “midnight’s children” of the book’s title are the 1001 children born in the first hour of Indian independence. The exhibition is open through March 15, 2018, with the reception on Thursday, March 8, 6:00 - 9:00 pm. The artist talk, as well as audio recording will begin at 7:30 pm. The Whale and Other Text was curated by Viera Levitt, UMass Dartmouth Gallery Director, born in Slovakia, where she had assisted Diane in her 1998 sound based site-specific installation for the Synagogue - Centre for Contemporary Art in Trnava. Thanks to Kris Nuzzi and the Pavel Zoubok Gallery for their wonderful collaboration on this exhibition. Bio: Diane Samuels is a visual artist, with studio and public art practices based in Pittsburgh. In both she uses other peoples’ words and handwriting as her literal and figurative raw material. She builds works that accrete from community engagements, layer by layer: layers made of words from interviews and informal conversations with people on the street, in cafes, in their homes; layers made of places from castings, drawings, photographs, audio, maps; and layers made from archival documents, narratives of events, histories, memoirs, folk tales, and literature. She has made drawings by writing out the texts of entire novels in micro-handwriting, converted a two-story glass pedestrian bridge into an anthology of phrases about looking at the world closely, and created artist’s books from sessions transcribing storytellers. Diane's permanent site-specific artworks include Luminous Manuscript (Center for Jewish History New York) and Lines of Sight (Brown University). Luminous Manuscript was awarded an IFRAA/Faith & Form Award for Religious Art and Architecture in 2005 and is included in Judith Dupré’s 2007 (Random House) book, Monuments: America’s History in Art and Memory. Her exhibitions include the Andy Warhol Museum, the Carnegie Museum of Art, the Mattress Factory Museum, the Leo Baeck Institute, the Center for Book Arts, the Aldrich Contemporary Art Museum, the Contemporary Arts Center of Cincinnati, the Municipal Museum of Art (Gyor, Hungary), the Synagogue Center (Trnava, Slovakia), the Bernheimer Realschule (Buttenhausen, Germany), and the Czech Museum of Fine Arts. Diane's work is in public and private collections including the Carnegie Museum of Art, Bank of New York Mellon, Reed College, Municipal Museum of Art (Gyor, Hungary), the Ruth and Marvin Sackner Archive of Concrete and Visual Poetry. Samuels holds both a bachelor’s and master’s degree in fine arts from Carnegie Mellon University, a diploma from the Institute in Arts Administration at Harvard University and has received honorary doctorates from Seton Hill University and Chatham University. She is also co-founder of City of Asylum Pittsburgh, which provides sanctuary to writers in exile. Samuels is a former board member of the Carnegie Museum of Art and the National Catholic Center for Holocaust Education, and is a Distinguished Daughter of Pennsylvania. In 2013 she was recipient of a Rockefeller Bellagio Residency in Italy and an American Academy in Jerusalem Fellowship. Diane Samuels works with the Pavel Zoubok Gallery in New York City. Image: Moby Dick, Or The Whale, Herman Melville, 2015 Ink on handmade paper, 96 x 564 inches. Courtesy of the artist and Pavel Zoubok Gallery. Photo by Thomas Little
exhibition_note_
Feb 7 - March 15, 2018 RECEPTION: Thursday, March 8, 6:00 - 9:00 pm; Artist Talk 7:30 pm Exhibition at UMass Dartmouth University Art Gallery in Downtown New Bedford, “Diane Samuels: The Whale and Other Texts” is centered around the 8’ wide by 47’ long artwork Moby-Dick, or The Whale. This mesmerizing large scale piece appears to be floating on the gallery floor and spilling off the wall, reflecting on the ocean nearby, the location for the Melville’s famous novel. Pittsburgh based Diane Samuels who often uses text as a element in her visual vocabulary this time creates waves with her meticulous hand-transcriptions created using all of the 701 pages in the novel. Remnants of archival paper and drawings have been recycled and painted over and, in places, drawn and collaged using images that pertain to the specific text. Each page of the book (also exhibited at the gallery) is hand-written as a horizontal row of the drawing, starting with “Call me Ishmael” at the top of the artwork. Samuels chose Moby-Dick, or The Whale because of Melville’s descriptions of confrontations with “the other” and his archiving and cataloguing of information about whales and the world. In Chapter Three, Ishmael and Queequeg share a room and a bed at the Spouter-Inn. Ishmael describes his terror in meeting Queequeg. Despite cultural, racial, and language differences, the chapter ends with Ishmael’s statement, “I turned in, and never slept better in my life.” Accompanying this installation is the compressed sound of the artist reading out loud and hand-transcribing each page, creating a layered “audio block”; a dense sound comprised of words and pages, along with the ambient sounds of the artist’s studio. The audio block is the length of the longest page of the book. Other artworks also surprise visitors with their intricate hand-transcription in microscript. The Arabian Nights traces the stories told by Scheherazade over 10,000 fragments of papers painted in shades of indigo and crimson and edged in gold. The piece is a literal and figurative “magic carpet” whose central panel is bathed in the blood of the book’s unfortunate heroines and cloaked in the mysterious glow of night. Salman Rushdie’s “Midnight’s Children,” also visually reflects the content of the book, creating a unique composition made from 1001 pieces of paper made in India and joined to form a map of India on August 15, 1947, its date of independence. The “midnight’s children” of the book’s title are the 1001 children born in the first hour of Indian independence. The exhibition is open through March 15, 2018, with the reception on Thursday, March 8, 6:00 - 9:00 pm. The artist talk, as well as audio recording will begin at 7:30 pm. The Whale and Other Text was curated by Viera Levitt, UMass Dartmouth Gallery Director, born in Slovakia, where she had assisted Diane in her 1998 sound based site-specific installation for the Synagogue - Centre for Contemporary Art in Trnava. Thanks to Kris Nuzzi and the Pavel Zoubok Gallery for their wonderful collaboration on this exhibition. Bio: Diane Samuels is a visual artist, with studio and public art practices based in Pittsburgh. In both she uses other peoples’ words and handwriting as her literal and figurative raw material. She builds works that accrete from community engagements, layer by layer: layers made of words from interviews and informal conversations with people on the street, in cafes, in their homes; layers made of places from castings, drawings, photographs, audio, maps; and layers made from archival documents, narratives of events, histories, memoirs, folk tales, and literature. She has made drawings by writing out the texts of entire novels in micro-handwriting, converted a two-story glass pedestrian bridge into an anthology of phrases about looking at the world closely, and created artist’s books from sessions transcribing storytellers. Diane's permanent site-specific artworks include Luminous Manuscript (Center for Jewish History New York) and Lines of Sight (Brown University). Luminous Manuscript was awarded an IFRAA/Faith & Form Award for Religious Art and Architecture in 2005 and is included in Judith Dupré’s 2007 (Random House) book, Monuments: America’s History in Art and Memory. Her exhibitions include the Andy Warhol Museum, the Carnegie Museum of Art, the Mattress Factory Museum, the Leo Baeck Institute, the Center for Book Arts, the Aldrich Contemporary Art Museum, the Contemporary Arts Center of Cincinnati, the Municipal Museum of Art (Gyor, Hungary), the Synagogue Center (Trnava, Slovakia), the Bernheimer Realschule (Buttenhausen, Germany), and the Czech Museum of Fine Arts. Diane's work is in public and private collections including the Carnegie Museum of Art, Bank of New York Mellon, Reed College, Municipal Museum of Art (Gyor, Hungary), the Ruth and Marvin Sackner Archive of Concrete and Visual Poetry. Samuels holds both a bachelor’s and master’s degree in fine arts from Carnegie Mellon University, a diploma from the Institute in Arts Administration at Harvard University and has received honorary doctorates from Seton Hill University and Chatham University. She is also co-founder of City of Asylum Pittsburgh, which provides sanctuary to writers in exile. Samuels is a former board member of the Carnegie Museum of Art and the National Catholic Center for Holocaust Education, and is a Distinguished Daughter of Pennsylvania. In 2013 she was recipient of a Rockefeller Bellagio Residency in Italy and an American Academy in Jerusalem Fellowship. Diane Samuels works with the Pavel Zoubok Gallery in New York City. Image: Moby Dick, Or The Whale, Herman Melville, 2015 Ink on handmade paper, 96 x 564 inches. Courtesy of the artist and Pavel Zoubok Gallery. Photo by Thomas Little
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COPYRIGHT NOTIFICATION: Under the direction of the Visual Resource Center digital collections are made available to the UMass Dartmouth campus community for the sole purpose of classroom instruction and study in accordance U.S. Copyright Laws . All other uses are prohibited and are subject to copyright infringements.
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COPYRIGHT NOTIFICATION: Under the direction of the Visual Resource Center digital collections are made available to the UMass Dartmouth campus community for the sole purpose of classroom instruction and study in accordance U.S. Copyright Laws . All other uses are prohibited and are subject to copyright infringements.
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_luna_media_xmp_tonecurvepv2012red
0, 0, 255, 255
ToneCurvePV2012Red
true
History[3]/stEvt:softwareAgent :
Adobe Photoshop CC 2017 (Windows)
_luna_media_xmp_history_3__stevt_softwareagent
Adobe Photoshop CC 2017 (Windows)
History[3]/stEvt:softwareAgent
true
ParametricHighlights:
0
_luna_media_xmp_parametrichighlights
0
ParametricHighlights
true
History[4]/stEvt:action :
converted
_luna_media_xmp_history_4__stevt_action
converted
History[4]/stEvt:action
true
HueAdjustmentGreen:
0
_luna_media_xmp_hueadjustmentgreen
0
HueAdjustmentGreen
true
History[2]/stEvt:instanceID :
xmp.iid:7d0680c9-5736-ad43-b5e4-b66e20f6dccc
_luna_media_xmp_history_2__stevt_instanceid
xmp.iid:7d0680c9-5736-ad43-b5e4-b66e20f6dccc
History[2]/stEvt:instanceID
true
SaturationAdjustmentAqua :
0
_luna_media_xmp_saturationadjustmentaqua
0
SaturationAdjustmentAqua
true
DefringePurpleAmount:
0
_luna_media_xmp_defringepurpleamount
0
DefringePurpleAmount
true
Whites2012:
0
_luna_media_xmp_whites2012
0
Whites2012
true
SharpenEdgeMasking:
0
_luna_media_xmp_sharpenedgemasking
0
SharpenEdgeMasking
true
SplitToningBalance:
0
_luna_media_xmp_splittoningbalance
0
SplitToningBalance
true
RedSaturation:
0
_luna_media_xmp_redsaturation
0
RedSaturation
true
BlueHue:
0
_luna_media_xmp_bluehue
0
BlueHue
true
ModifyDate:
2018-02-21T13:52:25-05:00
_luna_media_xmp_modifydate
2018-02-21T13:52:25-05:00
ModifyDate
true
CameraProfileDigest:
BA45C872F6A5D11497D00CBA08D5783F
_luna_media_xmp_cameraprofiledigest
BA45C872F6A5D11497D00CBA08D5783F
CameraProfileDigest
true
OriginalDocumentID:
DF1282F4A3B7B57B4177C82B6F665669
_luna_media_xmp_originaldocumentid
DF1282F4A3B7B57B4177C82B6F665669
OriginalDocumentID
true
SharpenRadius:
+1.0
_luna_media_xmp_sharpenradius
+1.0
SharpenRadius
true
History[4]:
type=Struct
_luna_media_xmp_history_4_
type=Struct
History[4]
true
History[4]/stEvt:parameters :
from image/tiff to image/jpeg
_luna_media_xmp_history_4__stevt_parameters
from image/tiff to image/jpeg
History[4]/stEvt:parameters
true
LensSerialNumber:
000010b612
_luna_media_xmp_lensserialnumber
000010b612
LensSerialNumber
true
LensManualDistortionAmount :
0
_luna_media_xmp_lensmanualdistortionamount
0
LensManualDistortionAmount
true
SplitToningHighlightSaturation :
0
_luna_media_xmp_splittoninghighlightsaturation
0
SplitToningHighlightSaturation
true
ParametricShadowSplit :
25
_luna_media_xmp_parametricshadowsplit
25
ParametricShadowSplit
true
DerivedFrom/stRef:originalDocumentID :
DF1282F4A3B7B57B4177C82B6F665669
_luna_media_xmp_derivedfrom_stref_originaldocumentid
DF1282F4A3B7B57B4177C82B6F665669
DerivedFrom/stRef:originalDocumentID
true
History[3]/stEvt:action :
saved
_luna_media_xmp_history_3__stevt_action
saved
History[3]/stEvt:action
true
HueAdjustmentYellow:
0
_luna_media_xmp_hueadjustmentyellow
0
HueAdjustmentYellow
true
HueAdjustmentAqua:
0
_luna_media_xmp_hueadjustmentaqua
0
HueAdjustmentAqua
true
LuminanceAdjustmentRed :
0
_luna_media_xmp_luminanceadjustmentred
0
LuminanceAdjustmentRed
true
Tint:
+6
_luna_media_xmp_tint
+6
Tint
true
Lens:
EF-S17-85mm f/4-5.6 IS USM
_luna_media_xmp_lens
EF-S17-85mm f/4-5.6 IS USM
Lens
true
DefringeGreenAmount:
0
_luna_media_xmp_defringegreenamount
0
DefringeGreenAmount
true
SplitToningShadowHue:
0
_luna_media_xmp_splittoningshadowhue
0
SplitToningShadowHue
true
ToneCurve:
0, 0, 32, 22, 64, 56, 128, 128, 192, 196, 255, 255
_luna_media_xmp_tonecurve
0, 0, 32, 22, 64, 56, 128, 128, 192, 196, 255, 255
ToneCurve
true
PerspectiveScale:
100
_luna_media_xmp_perspectivescale
100
PerspectiveScale
true
UprightVersion:
151388160
_luna_media_xmp_uprightversion
151388160
UprightVersion
true
LensInfo:
17/1 85/1 0/0 0/0
_luna_media_xmp_lensinfo
17/1 85/1 0/0 0/0
LensInfo
true
History[5]/stEvt:parameters :
converted from image/tiff to image/jpeg
_luna_media_xmp_history_5__stevt_parameters
converted from image/tiff to image/jpeg
History[5]/stEvt:parameters
true
UprightFourSegmentsCount :
0
_luna_media_xmp_uprightfoursegmentscount
0
UprightFourSegmentsCount
true
LensProfileEnable:
0
_luna_media_xmp_lensprofileenable
0
LensProfileEnable
true
SaturationAdjustmentGreen :
0
_luna_media_xmp_saturationadjustmentgreen
0
SaturationAdjustmentGreen
true
History[6]/stEvt:action :
saved
_luna_media_xmp_history_6__stevt_action
saved
History[6]/stEvt:action
true
History[3]:
type=Struct
_luna_media_xmp_history_3_
type=Struct
History[3]
true
ParametricHighlightSplit :
75
_luna_media_xmp_parametrichighlightsplit
75
ParametricHighlightSplit
true
FlashCompensation:
0/1
_luna_media_xmp_flashcompensation
0/1
FlashCompensation
true
DerivedFrom/stRef:documentID :
xmp.did:7d0680c9-5736-ad43-b5e4-b66e20f6dccc
_luna_media_xmp_derivedfrom_stref_documentid
xmp.did:7d0680c9-5736-ad43-b5e4-b66e20f6dccc
DerivedFrom/stRef:documentID
true
CameraProfile:
Adobe Standard
_luna_media_xmp_cameraprofile
Adobe Standard
CameraProfile
true
ParametricLights:
0
_luna_media_xmp_parametriclights
0
ParametricLights
true
DefringeGreenHueLo:
40
_luna_media_xmp_defringegreenhuelo
40
DefringeGreenHueLo
true
ToneCurvePV2012Green:
0, 0, 255, 255
_luna_media_xmp_tonecurvepv2012green
0, 0, 255, 255
ToneCurvePV2012Green
true
Firmware:
1.1.1
_luna_media_xmp_firmware
1.1.1
Firmware
true
SaturationAdjustmentPurple :
0
_luna_media_xmp_saturationadjustmentpurple
0
SaturationAdjustmentPurple
true
BlueSaturation:
0
_luna_media_xmp_bluesaturation
0
BlueSaturation
true
History[6]/stEvt:softwareAgent :
Adobe Photoshop CC 2017 (Windows)
_luna_media_xmp_history_6__stevt_softwareagent
Adobe Photoshop CC 2017 (Windows)
History[6]/stEvt:softwareAgent
true
DefringePurpleHueHi:
70
_luna_media_xmp_defringepurplehuehi
70
DefringePurpleHueHi
true
LuminanceAdjustmentBlue :
0
_luna_media_xmp_luminanceadjustmentblue
0
LuminanceAdjustmentBlue
true
History[1]/stEvt:action :
derived
_luna_media_xmp_history_1__stevt_action
derived
History[1]/stEvt:action
true
PerspectiveUpright:
0
_luna_media_xmp_perspectiveupright
0
PerspectiveUpright
true
History[2]:
type=Struct
_luna_media_xmp_history_2_
type=Struct
History[2]
true
UprightCenterNormX:
0.5
_luna_media_xmp_uprightcenternormx
0.5
UprightCenterNormX
true
History:
type=Seq
_luna_media_xmp_history
type=Seq
History
true
UprightCenterNormY:
0.5
_luna_media_xmp_uprightcenternormy
0.5
UprightCenterNormY
true
ColorMode:
3
_luna_media_xmp_colormode
3
ColorMode
true
LuminanceAdjustmentGreen :
0
_luna_media_xmp_luminanceadjustmentgreen
0
LuminanceAdjustmentGreen
true
ToneCurveGreen:
0, 0, 255, 255
_luna_media_xmp_tonecurvegreen
0, 0, 255, 255
ToneCurveGreen
true
InstanceID:
xmp.iid:b641e30a-4b8f-7e41-ba73-39079e3930db
_luna_media_xmp_instanceid
xmp.iid:b641e30a-4b8f-7e41-ba73-39079e3930db
InstanceID
true
ToneCurveName:
Medium Contrast
_luna_media_xmp_tonecurvename
Medium Contrast
ToneCurveName
true
History[6]/stEvt:instanceID :
xmp.iid:b641e30a-4b8f-7e41-ba73-39079e3930db
_luna_media_xmp_history_6__stevt_instanceid
xmp.iid:b641e30a-4b8f-7e41-ba73-39079e3930db
History[6]/stEvt:instanceID
true
GreenHue:
0
_luna_media_xmp_greenhue
0
GreenHue
true