COLLECTION NAME:
CVPA Alumni (Swain)
mediaCollectionId
UMASSDVRCVRC~45~45
CVPA Alumni (Swain)
Collection
true
resource_ID:
13dlsr_021
resource_id
13dlsr_021
resource_ID
false
identifier:
2011-1-29 David Smith 3c
identifier
2011-1-29 David Smith 3c
identifier
false
creator_name:
Smith, David Loeffler
creator
Smith, David Loeffler
creator_name
false
creator_nationality:
American
creator_nationality
American
creator_nationality
false
creator_vital_dates:
1928 - 2012
creator_vital_dates
1928 - 2012
creator_vital_dates
false
creator_notes:
EXETER, N.H. David Loeffler Smith, the former Director of the Swain School of Design from 1962 until 1966, died on July 25 in Exeter, New Hampshire. Born May 1, 1928 to Adele (Loeffler) Smith and highly regarded American painter Jacob Getlar Smith, he was raised and educated in New York City. After attending Little Red Schoolhouse and the High School of Music and Art, Smith earned his BA from Bard College in 1950 and his MFA from Cranbrook Academy of Art in 1952. He served in the U.S. Army during the Korean War 1952-54. Having studied painting with his father and Stephan Hirsh, Hans Hofmann and Raphael Soyer, Smith embarked on his own career as a painter and teacher of painting. He was accomplished and distinguished in both endeavors. His teaching career began at Chatham College in Pittsburgh, PA. He moved to New Bedford to assume the Director's position at Swain in 1962. During his tenure there, Smith was the motivation behind overhauling the curriculum, doubling of the enrollment, and initiating the steps which led to a degree program in the Fine Arts. In 1966 he left the Director's position in order to get back to teaching and to focus more time on his own painting. He remained at Swain, receiving the Swain Medal in 1980 for his outstanding service and contributions. Swain eventually merged with U Mass-Dartmouth, and Smith continued to teach there until his retirement in 1992. Beloved as a teacher and mentor, Smith leaves a long and distinguished legacy as someone devoted to the highest ideals of both art and education. Smith's work is highly acclaimed and nationally recognized. Over the course of his painting career, he had 10 one-man exhibitions at the First Street Gallery and M-13 Gallery in New York City. Most recently Smith exhibited in New Bedford at Crowell's Fine Art Gallery in 2010 and in a retrospective in 2011 at the New Bedford Art Museum. He served as Visiting Critic and Guest Lecturer at the Maryland Art Institute, the Graduate Program at C.U.N.Y.'s Queens and Brooklyn Colleges, the Graduate Program at Parsons School of Design, the Vermont Studio School, and the International School of Art in Todi, Italy. He was Contributing Editor to the English magazine Art and Artists from 1970-73 and wrote for Pantheon (Munich) and the American publications Arts Magazine, Antiques Magazine, American Journal, and American Artist. Smith and his wife relocated to Riverwoods in Exeter, NH where he continued to paint on a daily basis. Students and friends will take solace in the knowledge that David painted on the day he died. David Loeffler Smith is survived by his wife of 55 years, Jean Van Schoonhoven Smith, daughter and son-in-law Cornelia and Richard Maxted of Port Washington, NY, daughter and son-in-law Sarah and Bruce Barton of Holderness, NH, and four grandchildren, Katherine and Peter Maxted and Jacob and Margaret Barton.
creator_note
EXETER, N.H. David Loeffler Smith, the former Director of the Swain School of Design from 1962 until 1966, died on July 25 in Exeter, New Hampshire. Born May 1, 1928 to Adele (Loeffler) Smith and highly regarded American painter Jacob Getlar Smith, he was raised and educated in New York City. After attending Little Red Schoolhouse and the High School of Music and Art, Smith earned his BA from Bard College in 1950 and his MFA from Cranbrook Academy of Art in 1952. He served in the U.S. Army during the Korean War 1952-54. Having studied painting with his father and Stephan Hirsh, Hans Hofmann and Raphael Soyer, Smith embarked on his own career as a painter and teacher of painting. He was accomplished and distinguished in both endeavors. His teaching career began at Chatham College in Pittsburgh, PA. He moved to New Bedford to assume the Director's position at Swain in 1962. During his tenure there, Smith was the motivation behind overhauling the curriculum, doubling of the enrollment, and initiating the steps which led to a degree program in the Fine Arts. In 1966 he left the Director's position in order to get back to teaching and to focus more time on his own painting. He remained at Swain, receiving the Swain Medal in 1980 for his outstanding service and contributions. Swain eventually merged with U Mass-Dartmouth, and Smith continued to teach there until his retirement in 1992. Beloved as a teacher and mentor, Smith leaves a long and distinguished legacy as someone devoted to the highest ideals of both art and education. Smith's work is highly acclaimed and nationally recognized. Over the course of his painting career, he had 10 one-man exhibitions at the First Street Gallery and M-13 Gallery in New York City. Most recently Smith exhibited in New Bedford at Crowell's Fine Art Gallery in 2010 and in a retrospective in 2011 at the New Bedford Art Museum. He served as Visiting Critic and Guest Lecturer at the Maryland Art Institute, the Graduate Program at C.U.N.Y.'s Queens and Brooklyn Colleges, the Graduate Program at Parsons School of Design, the Vermont Studio School, and the International School of Art in Todi, Italy. He was Contributing Editor to the English magazine Art and Artists from 1970-73 and wrote for Pantheon (Munich) and the American publications Arts Magazine, Antiques Magazine, American Journal, and American Artist. Smith and his wife relocated to Riverwoods in Exeter, NH where he continued to paint on a daily basis. Students and friends will take solace in the knowledge that David painted on the day he died. David Loeffler Smith is survived by his wife of 55 years, Jean Van Schoonhoven Smith, daughter and son-in-law Cornelia and Richard Maxted of Port Washington, NY, daughter and son-in-law Sarah and Bruce Barton of Holderness, NH, and four grandchildren, Katherine and Peter Maxted and Jacob and Margaret Barton.
creator_notes
false
creator_source:
"David Loeffler Smith." SouthCoastToday.com. Local Media Group, Inc., 19 Aug. 2012. Web. 4 Feb. 2014.
creator_source
"David Loeffler Smith." SouthCoastToday.com. Local Media Group, Inc., 19 Aug. 2012. Web. 4 Feb. 2014.
creator_source
false
Title:
Ulysses and the Siren
title
Ulysses and the Siren
Title
false
work_dates_display:
1977
display_date
1977
work_dates_display
false
dates:
1977
date
1977
dates
false
genre:
painting
type
painting
genre
false
format_medium:
Oil painting on paper
format
Oil painting on paper
format_medium
false
format_dimensions:
13 x 20 inches (33 x 50.8 cm)
technique_sourceid
13 x 20 inches (33 x 50.8 cm)
format_dimensions
false
subject:
mythology (literary genre)
subject
mythology (literary genre)
subject
false
Subject_sourceID:
AAT 300055985
subject_sourceid
AAT 300055985
Subject_sourceID
false
subject:
sirens (imaginary beings)
subject
sirens (imaginary beings)
subject
false
Subject_sourceID:
AAT 300379597
subject_sourceid
AAT 300379597
Subject_sourceID
false
subject:
boat
subject
boat
subject
false
Subject_sourceID:
AAT 300178749
subject_sourceid
AAT 300178749
Subject_sourceID
false
subject_culture:
American
culture
American
subject_culture
false
subject_name:
Ulysses
subject_name
Ulysses
subject_name
false
Description:
Depicts the scene from Homer's Odyssey at the moment when Ulysses (Odysseus) is tied to the mast of his boat by his men so that he cannot jump into the ocean to escape the sirens' song. The small boat appears to be almost enveloped by the ocean waves. Curvilinear lines make up both the human figures and the waves of the ocean, blending into one another.
description
Depicts the scene from Homer's Odyssey at the moment when Ulysses (Odysseus) is tied to the mast of his boat by his men so that he cannot jump into the ocean to escape the sirens' song. The small boat appears to be almost enveloped by the ocean waves. Curvilinear lines make up both the human figures and the waves of the ocean, blending into one another.
Description
false
DCMI Type Vocabulary:
Image
record_type
Image
DCMI Type Vocabulary
false
cataloger:
lscharf
cataloger
lscharf
cataloger
false
date_of_catalog:
2014/02/13
date_of_catalog
2014/02/13
date_of_catalog
false
Relation:
University of Massachusetts Dartmouth Visual Resource Center
relation
University of Massachusetts Dartmouth Visual Resource Center
Relation
false
Relation:
relation
http://www.lib.umassd.edu/archives/
Relation
false
Relation:
University of Massachusetts Dartmouth Archives and Special Collections
relation
University of Massachusetts Dartmouth Archives and Special Collections
Relation
false
Relation:
relation
http://www.umassd.edu/cvpa/vrc/
Relation
false